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Descriptions come short of statuary and painting, N.
Desire, when corrected, N. 400.
Devotion, the noblest buildings owing to it, N.
Diana's cruel sacrisices condemned by an ancient poet,
Dionyfim's ear, what it was, N. 439.
Distracted persons, the sight of them the most mortify-
Dogget, how cuckoled on the stage, N. 446.
Domestic life, reflexions concerning it, N. 45;.
Doris, Mr. Congreve's character of her, N. 422.
Drama, its sirst original a religious worship, N. 405.
Dream of the seasons, N. 425. Of golden scales,
Dress, the ladies extravagance in it, N. 435. An ill
Drink, the effects it has on modesty, N. 458.
JfAstcourt (Dick) his character, N. 468.
Editors of the clafficks, their faults. N. 470.
on that subject, N. 455. Gaidening applied to it,
Emblematical persons, N. 419.
Employments, whoever excels in any, worthy of praise,
Emulation, the use of it, N. 432.
Englijh naturally modest, N. 407, 435; thought proud'
by foreigners, N. 432.
Error, his habitation describ'd, N. 460; how like to
Essay on the pleasures of the imagination, from N. 411,
Ether (sields of) the pleasures of surveying them, N.
Ever greens of the fair-sex, N. 395.
Euphrates river contained in one bason, N. 415.
Exchange (Royal) describ'd, N. 454.
FAIRY writing, N. 4ICJ. The pleasures of imagi-
Fame a follower of merit, N. 426. the palace of, de-
Familiarities indecent in society, N.429.
Fancy, ail its images enter by the sight, N. 411.
Fashion, a description of it, N. 460.
Father, the affection of one for a daughter, N. 449.
Fa-villa, spoil'd by a marriage, N. 437.
Faults (secret) how to sind them ©ut, N. 399.
Fear (passion of) treated, N. 471.
Feeling not so perfect a sense as sight, N. 411. .
Fiction, the advantage the writers have in it to please
Fidelia, her duty to her father, N. 449,
Final causes of delight, inol;jects, N. 413. Lie bare;
Flattery describ'd, N. 460
Flavid's character and amour with Cynthio, N. 398.
Follies and defects mistaken by us in ourselves for worth,
Fcrtius, his character, N. 422.
Fortunatus the trader, his character, N. 443.
Frecrt (Monsieur) what he fays of the manner of both
ancients and moderns in architecture, N. 415.
GArdening, errors in it, N. 414, Why the Engtifi
Gesture, good in oratory, N. 407.
Ghosts, what they fay should be a little discolour'd, N.
Gladiators of Rome, what Cicero fays of 'em, N. 436,
Gloriana, the design upon her, N. 423.
Goats-milk, the effect it had on a man bred with it, N.
Good fense and good-nature always go together, N.
437- . ,
Grace at meals practised by the Pagans, N. 458.
Grandeur and minuteness, the extremes pleasing to the
fancy, N. 420.
453, a divine poem upon it, ibid.
pleasures of the imagination, N. 412, 413, ,
Guardian of the fair sex, the Spetiator so, N. 449.
TJArnkCs reflections on looking upon Torici's scull,
Harlot, a desciiption of one out of the Proverbs, N. 410.
Health, the pleasures of the fancy more conducive to it,
Heaven and hell, the notion of, consormable to tke
Heavens, verses on the glory of 'em, N. 465.
Hebrew idioms run into Englijh, N. 40;.
Hefied's saying of a virtuous life, N. 447.
Historian., his most agreeable talent, N. 4*0. Mow
Hcckley in the hok gladiators, N. 436.
Homer's descriptions charm more than Aristotle's reason-
Honestus the trader, his character, N. 443.
Honeycomb (Will) his adventure with Suiey, N. 410.
Hope (passion of) treated, N. 471.
Horact takes sire at every hint of the Iliad and Odyssey,
Hotspur (Jeffrey, Esq;) his petition from the country
insirmary, N. 429.
Hujh (Peter) his character, N. 457.
Hymn, David's pastoral one on providence, N. 441.
on gratitude, 45 3; on the glories of the heaven and
Hypocrisy, the various kinds of it, N. 399; to be pre-
IDeas, how a whole set of them hang together, N. 416.
Idle and innocent, few know how to be so, N. 41 i.
Jilt, a penitent one, N.401. .g^
Iliad, the reading of it like travelling through Fcoufl-
Imaginary beings in poetry, N. 419.
Instances in O-vid, firgil, and Mrltstit, ibid.
imagination, its pleasures in some respects equal to those
Imagining, the art of it in general, N. 421.
Impertinent and trifling persons, their triumph, N. 452.
Impudence mistaken for wit, N. 443.
Insirmary, one for good humour, N. 429, 437, 440;
Ingu ijln (Charles, of Barbican) his cures, N. 444.
Invitation, the Spiilator's, to all artisicers as well as phi-
Jolly (Frank, Esq;) his memorial from the country
insirmary, N. 429.