The Critical Reader: Analyzing and Judging LiteratureF. Ungar Pub.Company, 1978 - 199 Seiten |
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Seite 8
... traditional explanations . Each of these , as M. H. Abrams has pointed out in his ex- tensive analysis and historical survey in The Mirror and the Lamp , tends to describe literature in relation to something outside itself . Perhaps the ...
... traditional explanations . Each of these , as M. H. Abrams has pointed out in his ex- tensive analysis and historical survey in The Mirror and the Lamp , tends to describe literature in relation to something outside itself . Perhaps the ...
Seite 112
... traditional way of accounting for our response to someone's slipping on a banana peel and similar farcical situations . At the other extreme is the idea derived from Kant that laughter is the response to some sort of tension followed by ...
... traditional way of accounting for our response to someone's slipping on a banana peel and similar farcical situations . At the other extreme is the idea derived from Kant that laughter is the response to some sort of tension followed by ...
Seite 123
... Traditional Motifs and Conventions Certain literary conventions are associated with neither genres nor movements . They are , rather , traditional and recurring themes , also known as motifs . One of these is known as the ubi sunt motif ...
... Traditional Motifs and Conventions Certain literary conventions are associated with neither genres nor movements . They are , rather , traditional and recurring themes , also known as motifs . One of these is known as the ubi sunt motif ...
Inhalt
The Definition of Literature | 1 |
The Analysis of Literature | 18 |
Literary Traditions and Conventions | 64 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action allegory Aristotle audience beauty C. S. Lewis called characters classical comedy comic complex considered contrast conventions describe devices Divine Comedy drama E. M. Forster effect eighteenth century emotions emphasis English epic example experience expressed fact Faerie Queene feel fiction figures Furthermore genre Hamlet hero human iambic iambic pentameter ideas Iliad imitation instance interpretation kind King King Lear language less lines literal literary literature lover Lycidas lyric Major Barbara matter meaning metaphor Milton Moby-Dick modern moral musical narrative neoclassicism novel Oedipus pastoral pattern philosophical phrase play plot poem poet poetic poetry problem prose psychological reading recognize rhyme rhythm romantic romanticism satire scenes seems sense Shakespeare social sometimes sonnet Sophocles stanza story structure suggests syllable symbolic syntax T. S. Eliot term theme theory tion tone traditional tragedy tragicomedy truth various verse W. H. Auden words Wordsworth writers