Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 42
... feel , potentially may become . We have to feel- this is the point - that when it comes to the duel , we want Hal , not Harry , to win ; and yet we mustn't , of course , feel for Harry Hotspur less than admiration . In this production ...
... feel , potentially may become . We have to feel- this is the point - that when it comes to the duel , we want Hal , not Harry , to win ; and yet we mustn't , of course , feel for Harry Hotspur less than admiration . In this production ...
Seite 213
... feel they're being slyly pressed into your brain to take home with you and chew on till the end of time . But the greatest letdown comes from the realization that so much of it is like what you find in boys ' books , the American Boy ...
... feel they're being slyly pressed into your brain to take home with you and chew on till the end of time . But the greatest letdown comes from the realization that so much of it is like what you find in boys ' books , the American Boy ...
Seite 296
... feel , ' OK here are all the essentials for the beginning of a theatrical performance- now , let's start the story ... feeling that a modern audience expects when it goes to see a play about the kings of England , and yet it was more ...
... feel , ' OK here are all the essentials for the beginning of a theatrical performance- now , let's start the story ... feeling that a modern audience expects when it goes to see a play about the kings of England , and yet it was more ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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acting action actor admirable Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry Ralph Richardson review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young