Sound effects suggesting thunder, horses, or war were common. Music was important, and drums and horns were often played. Most important to the sense of spectacle were the costumes worn by the actors. These were elaborate, colorful, and very expensive.... Romeo and Juliet - Seite xiivon William Shakespeare, Tanya Grosz, Linda Wendler - 2006 - 48 SeitenEingeschränkte Leseprobe - Über dieses Buch
| Tanya Grosz - 2003 - 76 Seiten
...Characters: A sailor, gentlemen, two messengers, lords, soldiers, attendants, guards, followers of Laertes Shakespeare and Stage Directions The plays of Shakespeare...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz - 2003 - 72 Seiten
...this play gives an overview of the plot and theme in sonnet form. © 2003 J. Weston Walch, Publisher Shakespeare and Stage Directions The plays of Shakespeare...Draw: Actors pull their swords from their sheathes. © 2003 J. Weston Walch, Publisher Enter: a direction for a character to enter the stage. This can... | |
| Tanya Grosz - 2003 - 76 Seiten
...were few and large: a table, a chariot, gallows, a bed, or a throne. However, the audience attending Shakespeare's plays expected a spectacle for the price...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz, Linda Wendler - 2003 - 72 Seiten
...were few and large: a table, a chariot, gallows, a bed, or a throne. However, the audience attending Shakespeare's plays expected a spectacle for the price...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz - 2003 - 74 Seiten
...were few and large: a table, a chariot, gallows, a bed, or a throne. However, the audience attending Shakespeare's plays expected a spectacle for the price...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz - 2003 - 72 Seiten
...Publisher XJll the stage do not. An aside may also be spoken Exit: One character leaves the stage. to one other actor so that the others on stage do...privacy. Draw: Actors pull their swords from their sheaths. Enter: a direction for a character to enter the stage. This can be from the audience's right... | |
| Tanya Grosz - 2004 - 70 Seiten
...challenge Edmund. Other Minor Characters: knights, attendants, servants, officers, soldiers, and trumpeters Shakespeare and Stage Directions The plays of Shakespeare...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz - 2004 - 72 Seiten
...help managing Portia's home in Belmont Other Attendants: People who provide support to their superiors Shakespeare and Stage Directions The plays of Shakespeare...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz - 2004 - 72 Seiten
...stage do not overhear. Calls within: a voice offstage that calls to a character on the stage Curtains: fabrics draped around a bed that could be opened or...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
| Tanya Grosz - 2004 - 74 Seiten
...stage do not overhear. Calls within: a voice offstage that calls to a character on the stage Curtains: fabrics draped around a bed that could be opened or...Draw: Actors pull their swords from their sheathes. Enter: a direction for a character to enter the stage. This can be from the audience's right (stage... | |
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