so many beautiful sites were at his command, I could not imagine.

As to the external appearance of Abbotsford, it is as irregular as can well be imagined. There are gables, and pinnacles, and spires, and balconies, and buttresses any where and every where, without rhyme or reason; for wherever the poet wanted a balcony, he had it; or wherever he had a fragment of carved stone, or a bit of historic tracery, to put in, he made a shrine for it forthwith, without asking leave of any rules. This I take to be one of the main advantages of Gothic architecture; it is a most catholic and tolerant system, and any kind of eccentricity may find refuge beneath its mantle.

Here and there, all over the house, are stones carved with armorial bearings and pious inscriptions, inserted at random wherever the poet fancied. Half way up the wall in one place is the door of the old Tolbooth at Edinburgh, with the inscription over it, "The Lord of armeis is my protector; blissit ar thay that trust in the Lord. 1575."

A doorway at the west end of the house is composed of stones which formed the portal of the Tolbooth, given to Sir Walter on the pulling down of the building in 1817.

On the east side of the house is a rude carving of a sword with the words, "Up with ye, sutors of Selkyrke. A. D. 1525." Another inscription, on the same side of the house,

runs thus:

"By night, by day, remember ay

The goodness of ye Lord;

And thank his name, whose glorious fame

Is spread throughout ye world. —A. C. M. D. 1516."

In the yard, to the right of the doorway of the mansion,

Dee, in view of that very German Ocean, famed for its storms and shipwrecks.

In this propitious state, disposed to be pleased with every thing, our hearts responded warmly to the greetings of the many friends who were waiting for us at the station house.

The lord provost received us into his carriage, and as we drove along, pointed out to us the various objects of interest in the beautiful town. Among other things, a fine old bridge across the Dee attracted our particular attention.

We were conducted to the house of Mr. Cruikshank, a Friend, and found waiting for us there the thoughtful hospitality which we had ever experienced in all our stoppingplaces. A snug little quiet supper was laid out upon the table, of which we partook in haste, as we were informed that the assembly at the hall were waiting to receive us.

There arrived, we found the hall crowded, and with difficulty made our way to the platform. Whether owing to the stimulating effect of the air from the ocean, or to the comparatively social aspect of the scene, or perhaps to both, certain it is, that we enjoyed the meeting with great zest. I was surrounded on the stage with blooming young ladies, one of whom put into my hands a beautiful bouquet, some flowers of which I have now dried in my album. The refreshment tables were adorned with some exquisite wax flowers, the work, as I was afterwards told, of a young lady in the place. One of the designs especially interested me. It was a group of water lilies resting on a mirror, which gave them the appearance of growing in the water.

We had some very animated speaking, in which the speakers contrived to blend enthusiastic admiration and love for America with detestation of slavery.

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bottom, just like our New England mountain streams. After we landed we were to walk to the Abbey. Our feet were damp and cold, and our boatman invited us to his cottage. I found him and all his family warmly interested in the fortunes of Uncle Tom and his friends, and for his sake they received me as a long-expected friend. While I was sitting by the ingleside,—that is, a coal grate,-warming my feet, I fell into conversation with my host. He and his family, I noticed, spoke English more than Scotch; he was an intelligent young man, in appearance and style of mind precisely what you might expect to meet in a cottage in Maine. He and all the household, even the old grandmother, had read Uncle Tom's Cabin, and were perfectly familiar with all its details. He told me that it had been universally read in the cottages in the vicinity. I judged from his mode of speaking, that he and his neighbors were in the habit of reading a great deal.. I spoke of going to Dryburgh to see the grave of Scott, and inquired if his works were much read by the common people. He said that Scott was not so much a favorite with the people as Burns. I inquired if he took a newspaper. He said that the newspapers were kept at so high a price that working men were not able to take them; sometimes they got sight of them through clubs, or by borrowing. How different, thought I, from America, where a workingman would as soon think of going without his bread as without his newspaper!

The cottages of these laboring people, of which there were a whole village along here, are mostly of stone, thatched with straw. This thatch sometimes gets almost entirely grown over with green moss. Thus moss-covered was the roof of the cottage where we stopped, opposite to Dryburgh grounds.

There was about this time one of those weeping pauses in the showery sky, and a kind of thinning and edging away of the clouds, which gave hope that perhaps the sun was going to look out, and give to our persevering researches the countenance of his presence. This was particularly desirable, as the old woman, who came out with her keys to guide us, said she had a cold and a cough: we begged that she would not trouble herself to go with us at all. The fact is, with all respect to nice old women, and the worthy race of guides in general, they are not favorable to poetic meditation. We promised to be very good if she would let us have the key, and lock up all the gates, and bring it back; but no, she was faithfulness itself, and so went coughing along through the dripping and drowned grass to open the gates for us.

This Dryburgh belongs now to the Earl of Buchan, having been bought by him from a family of the name of Haliburton, ancestral connections of Scott, who, in his autobiography, seems to lament certain mischances of fortune which prevented the estate from coming into his own family, and gave them, he said, nothing but the right of stretching their bones there. It seems a pity, too, because the possession of this rich, poetic ruin would have been a mine of wealth to Scott, far transcending the stateliest of modern houses.

Now, if you do not remember Scott's poem of the Eve of St. John, you ought to read it over; for it is, I think, the most spirited of all his ballads; nothing conceals the transcendent lustre and beauty of these compositions, but the splendor of his other literary productions. Had he never written any thing but these, they would have made him a name as a poet. As it was, I found the fanciful chime of the cadences in this ballad ringing through my ears. I kept saying to myself —

branches with equal boldness in every direction, shows no weather side to the storm, and may be broken, but can never be bended."

One reason for the sharpness and distinctness of the architectural preservation of this cathedral is probably that closeness of texture for which Aberdeen granite is remarkable. It bears marks of the hand of violence in many parts. The images of saints and bishops, which lie on their backs with clasped hands, seem to have been wofully maltreated and despoiled, in the fervor of those days, when people fondly thought that breaking down carved work was getting rid of superstition. These granite saints and bishops, with their mutilated fingers and broken noses, seem to be bearing a silent, melancholy witness against that disposition in human nature, which, instead of making clean the cup and platter, breaks them altogether.

The roof of the cathedral is a splendid specimen of carving in black oak, wrought in panels, with leaves and inscriptions in ancient text. The church could once boast in other parts (so says an architectural work) a profusion of carved woodwork of the same character, which must have greatly relieved the massive plainness of the interior.

In 1649, the parish minister attacked the "High Altar," a piece of the most splendid workmanship of any thing of the kind in Europe, and which had to that time remained inviolate; perhaps from the insensible influence of its beauty. It is said that the carpenter employed for the purpose was so struck with the noble workmanship, that he refused to touch it till the minister took the hatchet from his han 1, and gave the first blow.

These men did not consider that "the leprosy lies deep