Shakespeare and His Critics

acted action admirable appear audience beauty become better called character Coleridge comedy criticism death dramatic effect elements Elizabethan English excellence expression eyes fact Falstaff feeling followed force genius give Hamlet hand heart Henry Holinshed human imagery images imagination interest John Johnson kind King language Lear least less light lines living Macbeth manner matter means Measure merely mind moral nature never night object once original Othello passages passed passion PERFORMED perhaps persons Plautus play plot poems poet poetic poetry present probably produced published reader reason REGISTERED Richard scene seems sense Shake Shakespeare single sometimes speak speech spirit stage story theatre things thought tragedy true truth turn understanding verse whole writing written