Women, Writing, and Fetishism, 1890-1950: Female Cross-genderingClarendon Press, 2003 - 254 Seiten Clare L. Taylor investigates the problematic question of female fetishism within modernist women's writing, 1890-1950. Drawing on gender and psychoanalytic theory, she re-examines the works of Sarah Grand, Radclyffe Hall, H.D., Djuna Barnes, and Anaïs Nin in the context of clinical discourses of sexology and psychoanalysis to present an alternative theory of female fetishism, challenging the perspective that denies the existence of the perversion in women. |
Inhalt
INTRODUCTION I | 1 |
INVERTS | 24 |
FEMALE CROSS | 57 |
WOMAN AS FETISH OBJECT IN H D | 105 |
DJUNA BARNESS | 149 |
ANAÏS NINS DIARIES | 191 |
AFTERWORD | 229 |
| 249 | |
Häufige Begriffe und Wortgruppen
Anaïs Nin analysis Angelica anxiety argues beauty behaviour Bryher castration child clothes creative cross-dressing cross-gendered woman cultural Diary of Anaïs disavowal discourse Djuna Barnes Doan doll dream dress Elizabeth erotic fantasy father Fayne Rabb feel female cross-gendering female fetishism female sexual feminine Feminism feminist fetishistic fiction figure Freudian Friedman gender girl Hall's hand Havelock Ellis Heavenly Twins Her's homosexuality House of Incest Ibid identity Joan Joan's Krafft-Ebing Ladders to Fire Lauretis lesbian lesbian desire Lillian London Loneliness lover male Mary masculine Matthew O'Connor Modernism modernist mother motif narcissism narcissistic narrative Nightwood Nin's Nora Nora's novel object Paint It Today penis perversion phallic pleasure Plumb psychic psychoanalysis Radclyffe Hall relationship Robin Sabina Sarah Grand sexology sexual inversion Sigmund Freud signifier split Stephen Gordon suggests symbol Tenor textual theory Transsexuals transvestism transvestite Tribute to Freud University Press Unlit Lamp wanted women words writing York
Verweise auf dieses Buch
Every Inch a Woman: Phallic Possession, Femininity, and the Text Carellin Brooks Eingeschränkte Leseprobe - 2006 |