 | Colley Cibber - 1740 - 530 Seiten
...the main Audience, than they us'd to be : But when the Actors were in Pofleffion of that forwarder Space, to advance upon, the Voice was then more in the Centre of the Houfe, fo that the moft diftant Ear had fcarce the leaft Doubt, or Difficulty in hearing what fell... | |
 | Colley Cibber - 1740 - 524 Seiten
...Audience, than they us'd to be : But when the Adors were in Pofleffion of that forwarder Space, ta . advance upon, the Voice was then more in the Centre of the Houfe, fo that the moft diftant Ear had fcarce the leaft Doubt, or Difficulty in hearing what fell... | |
 | Colley Cibber - 1750 - 594 Seiten
...the main Audience, than they us'd to be : But when the Actors were in Pofleffion of that forwarder Space, to. advance upon, the Voice was then more in the Centre of the Houfe, fo that the rnoft diftant Ear had fcarce the leaft Doubt, or Difficulty, in hearing what fell... | |
 | 1902 - 642 Seiten
...from the main Audience than they us'd to be : But when the Actors were in Possession of that forwarder Space to advance upon, the Voice was then more in...painted Scene was stronger ; every grand Scene and Dance were extended ; every rich and fine-coloured Habit had a more lively Lustre : Nor was the minutest... | |
 | Colley Cibber - 1822 - 564 Seiten
...from the main audience than they used to be : but when the actors were in possession of that forwarder space, to advance upon, the voice was then more in...grand scene and dance more extended; every rich, or fine-coloured habit had a more lively lustre ; nor was the minutest motion of a feature (properly changing... | |
 | Colley Cibber - 1826 - 358 Seiten
...the main aud ience than they used to be ; but when the actors were in possession of that forwarder space to advance upon, the voice was then more in...grand scene and dance more extended ; every rich or fine-coloured habit had a more lively lustre : nor was the minutest motion of a feature (properly changing... | |
 | 1826 - 362 Seiten
...from the main audience than they used to be ; but when the actors were in possession of that forwarder space to advance upon, the voice was then more in...grand scene and dance more extended ; every rich or fine-coloured habit had a more lively lustre : nor was the minutest motion of a feature (properly changing... | |
 | James Boaden - 1831 - 410 Seiten
...actors were in possession of that forwarder space to advance upon, the voice was then more in the center of the house, so that the most distant ear had scarce...scene was stronger ; every grand scene and dance more e..cended ; every rich or fine coloured habit had a more lively lustre ; nor was the minutest motion... | |
 | Robert William Lowe - 1891 - 210 Seiten
...from the main Audience than they us'd to be : But when the Actors were in Possession of that forwarder Space to advance upon, the Voice was then more in...grand Scene and Dance more extended ; every rich or fine-coloured Habit had a more lively Lustre : Nor was the minutest Motion of a Feature (properly changing... | |
 | Robert William Lowe - 1891 - 212 Seiten
...fullest use of the front of the stage. He says, " When the Actors were in possession of that forwarder Space to advance upon, the Voice was then more in the Centre of the House . . . Nor was the minutest Motion of a Feature . . . ever lost, as they frequently must be in the Obscurity... | |
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House, so that the most distant Ear had scarce the least Doubt, or Difficulty in hearing what fell from the weakest Utterance: All Objects were thus drawn nearer to the Sense; every... 
