Modernist Montage: The Obscurity of Vision in Cinema and Literature
Columbia University Press, 1990 - 250 Seiten
Tracing the history of modernism in cinema, this study provides readings of a range of classic films made between 1925 and 1980 by such filmmakers as Carl Dreyer, Ingmar Bergman and Robert Bresson. It argues that the act of vision and visual experience are problematized in literary modernism.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
allegory allusion Alma appears artistic audience Autobiography becomes begins Bergman Blanchot called camera chapter characters cinema comes continuity create death describes direct distance Dreyer earlier effect Elisabet encounter experience face fact fictional figure film filmmaker final frame Gertrud gives going hand imagination important interpretation Johannes Judith language later letter light lines living look meaning mind modernist moment montage Moses movement moves narrative narrator nature never object occurs Olson opening original passing Persona phrase Pickpocket play poem poet poetic position present question reference reflects relationship represented role scene screen seems seen sense sequence shot shot-countershot sonnet sound space speech status story suggests tells theory thing turn viewer vision visual woman writing written wrote young