Modernist Montage: The Obscurity of Vision in Cinema and Literature

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Columbia University Press, 1990 - 250 Seiten
Tracing the history of modernism in cinema, this study provides readings of a range of classic films made between 1925 and 1980 by such filmmakers as Carl Dreyer, Ingmar Bergman and Robert Bresson. It argues that the act of vision and visual experience are problematized in literary modernism.
 

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Inhalt

in Surrealist Cinema
17
Image and Title
38
Dreyers
53
Bressons Figures
81
Blanchots
101
Persona as an Allegory
125
Olsons Genealogy
164
Cinematic Epiphanies
188
Landows Wit
211
Notes
227
Bibliography
239
Index
247
Urheberrecht

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