Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 155
... effect on the spec- tator . But this is surely not so . We need no more expect to receive - lapses of performance and attention apart - the full value of a great drama at a first hearing than we expect it of a complex piece of music ...
... effect on the spec- tator . But this is surely not so . We need no more expect to receive - lapses of performance and attention apart - the full value of a great drama at a first hearing than we expect it of a complex piece of music ...
Seite 217
... effect in advance . As the earlier play King Leir surely demonstrates sufficiently , any conceivable rationalization is bound to be weak and inadequate . In the third place , the machine - like quality of ritual produces , in the first ...
... effect in advance . As the earlier play King Leir surely demonstrates sufficiently , any conceivable rationalization is bound to be weak and inadequate . In the third place , the machine - like quality of ritual produces , in the first ...
Seite 364
... effect ; but here , a sense that language is unreliable is basic to the play's vision . The mistaking of words is still a comic effect , but it is far from incidental . The play , in short , shows conventions - even words them- selves ...
... effect ; but here , a sense that language is unreliable is basic to the play's vision . The mistaking of words is still a comic effect , but it is far from incidental . The play , in short , shows conventions - even words them- selves ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words