Introduction to ShakespeareC. Scribner's Sons, 1901 - 136 Seiten |
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Seite 6
... Italian . §5 . At what age Shakespeare was withdrawn from school we cannot tell . But we know that when he was thirteen years old his father was no longer a prosperous man , and that the fortunes of his house continued for a ...
... Italian . §5 . At what age Shakespeare was withdrawn from school we cannot tell . But we know that when he was thirteen years old his father was no longer a prosperous man , and that the fortunes of his house continued for a ...
Seite 29
... Italian Poets " , which is printed near the end of a little volume named Palladis Tamia by Francis Meres , a Master of Arts of both univer- sities . The chapter was written in the summer of 1598 , and it bears remarkable testimony to ...
... Italian Poets " , which is printed near the end of a little volume named Palladis Tamia by Francis Meres , a Master of Arts of both univer- sities . The chapter was written in the summer of 1598 , and it bears remarkable testimony to ...
Seite 45
... Italian plays and tales of passion and of wit , the elder forms of the English drama passed away or were transmuted into regular tragedy , comedy , and history . The mirth was still often rude , but it began to be organized around some ...
... Italian plays and tales of passion and of wit , the elder forms of the English drama passed away or were transmuted into regular tragedy , comedy , and history . The mirth was still often rude , but it began to be organized around some ...
Seite 56
... Italian literature , his early plays and poems exhibit the Renaissance influences derived from classical themes , Latin models in tragedy and comedy , and the glad- coloured or sad - coloured literature of the south . " Titus Andronicus ...
... Italian literature , his early plays and poems exhibit the Renaissance influences derived from classical themes , Latin models in tragedy and comedy , and the glad- coloured or sad - coloured literature of the south . " Titus Andronicus ...
Seite 57
... Italian school prevails here more than in any other play : " In the burlesque parts of Love's Labour's Lost we meet with two favourite characters or cari- catures of the Italian comedy ; the Pedant , that is the schoolmaster and ...
... Italian school prevails here more than in any other play : " In the burlesque parts of Love's Labour's Lost we meet with two favourite characters or cari- catures of the Italian comedy ; the Pedant , that is the schoolmaster and ...
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actor admirable appeared ardent beauty Ben Jonson Betterton Burbage century character close comedy criticism D'Avenant death despair dramatic dramatist Drury Lane Earl earlier early edition Edmund Kean Elizabethan English errors essay Falstaff father Folio Garrick genius Halliwell-Phillipps Hamlet heart HENRY CONDELL honour human imagination James Burbage Jonson Julius Cæsar Kean Kemble King Henry King John King Lear King Richard King Richard II later lived London Love's Labour's Lost Lucrece Malone Marlowe marriage Measure for Measure Merry Wives mirth moral noble Othello passion performance perhaps players poems poet poet's printed probably published quarto Queen reader Richard Burbage romantic Romeo and Juliet scene seems Shake Shakespeare's plays Shakespearian Shylock Sonnets speare speare's spectators spirit stage Steevens Stratford Stratford-on-Avon style Tempest theatre Timon tion Titus Andronicus tragedy tragic Troilus verse volume wife William Shakespeare Wives of Windsor writes written youth
Beliebte Passagen
Seite 31 - Master Jonson (like the former) was built far higher in learning ; solid, but slow in his performances. Shakespeare, with the English man of war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Seite 64 - Now these, her princes, are come home again, Come the three corners of the world in arms, And we shall shock them : naught shall make us rue, If England to itself do rest but true.
Seite 18 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Seite 93 - To judge therefore of Shakespeare by Aristotle's rules is like trying a man by the laws of one country, who acted under those of another.
Seite 10 - No sweet aspersion shall the heavens let fall To make this contract grow ; but barren hate, Sour-eyed disdain and discord shall bestrew The union of your bed with weeds so loathly That you shall hate it both : therefore take heed, As Hymen's lamps shall light you.
Seite 134 - Advanced, and made a constellation there! Shine forth, thou Star of Poets, and with rage Or influence, chide or cheer the drooping stage, Which, since thy flight from hence, hath mourned like night, And despairs day, but for thy volume's light.
Seite 132 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Seite 97 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstacies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Seite 12 - He had, by a misfortune common enough to young fellows, fallen into ill company ; and amongst them, some that made a frequent practice of deer-stealing, engaged him more than once in robbing a park that belonged to Sir Thomas Lucy, of Charlecote, near Stratford. For this he was prosecuted by that gentleman, as he thought, somewhat too severely ; and in order to revenge that ill usage, he made a ballad upon him.
Seite 129 - We have but collected them, and done an office to the dead, to procure his orphans guardians; without ambition either of self-profit or fame ; only to keep the memory of so worthy a friend and fellow alive as was our Shakespeare, by humble ofier of his plays to your most noble patronage.