Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 54
... tragic hero lacks a strong self - image . The self - image may be conscious or unconscious . It is conscious in the case of Cleopatra , who stages the elaborate ritual of V.ii in order to assert her integrity as woman , as wife , as ...
... tragic hero lacks a strong self - image . The self - image may be conscious or unconscious . It is conscious in the case of Cleopatra , who stages the elaborate ritual of V.ii in order to assert her integrity as woman , as wife , as ...
Seite 59
... tragic figures . It was a greater thing to be Antony and Cleopatra than to be " the universal landlord , " and thus they triumph . over Caesar in the tragic structure as well as the " comic " structure of the final scene . The ...
... tragic figures . It was a greater thing to be Antony and Cleopatra than to be " the universal landlord , " and thus they triumph . over Caesar in the tragic structure as well as the " comic " structure of the final scene . The ...
Seite 62
... tragic hero is more constantly true of the tragic dramatist , Shakespeare himself . All his control of dramatic form and style serves finally not to make a world whose primary quality is to make sense , but to make dramatic worlds that ...
... tragic hero is more constantly true of the tragic dramatist , Shakespeare himself . All his control of dramatic form and style serves finally not to make a world whose primary quality is to make sense , but to make dramatic worlds that ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York