Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1929 - 498 Seiten |
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Seite 51
... whole ad- vancing up to a certain point in the conflict , and then to be on the whole declining before the re- action of the other . There is therefore felt to be a critical point in the action , which proves also to be a turning point ...
... whole ad- vancing up to a certain point in the conflict , and then to be on the whole declining before the re- action of the other . There is therefore felt to be a critical point in the action , which proves also to be a turning point ...
Seite 105
... whole , ' says Schlegel , is intended to show how a calculating consideration which aims at exhausting , so far as human foresight can , all the relations and possible consequences of a deed , cripples 1 the power of acting .. Hamlet is ...
... whole , ' says Schlegel , is intended to show how a calculating consideration which aims at exhausting , so far as human foresight can , all the relations and possible consequences of a deed , cripples 1 the power of acting .. Hamlet is ...
Seite 445
... whole play can have little value , since it is practically certain that Shakespeare did not write the whole play . It seems to consist ( 1 ) of parts that are purely Shakespearean ( the text , however , being here , as elsewhere , very ...
... whole play can have little value , since it is practically certain that Shakespeare did not write the whole play . It seems to consist ( 1 ) of parts that are purely Shakespearean ( the text , however , being here , as elsewhere , very ...
Inhalt
KING LEAR | 3 |
INTRODUCTION PAGE | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follow force Ghost Gloster Goneril Hamlet heart hero Horatio horror Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words