A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of Language and Style; the Elements of Taste and Criticism; with Rules for the Study of Composition and Eloquence ...A. H. Maltby, 1820 - 345 Seiten |
Im Buch
Ergebnisse 1-5 von 41
Seite 21
... impression on the mind , much stronger than can be made by the perusal of any writing . 2. The tones of the voice , the looks and gestures , which accom- pany discourse , and which no writing can convey , render speech , when it is ...
... impression on the mind , much stronger than can be made by the perusal of any writing . 2. The tones of the voice , the looks and gestures , which accom- pany discourse , and which no writing can convey , render speech , when it is ...
Seite 68
... impression ; and he employed for this purpose , the plainest , the fewest , and the most emphatic words . Supernumerary words may swell the period , or captivate the ear , but they must diminish the effect upon the understanding or the ...
... impression ; and he employed for this purpose , the plainest , the fewest , and the most emphatic words . Supernumerary words may swell the period , or captivate the ear , but they must diminish the effect upon the understanding or the ...
Seite 79
... impression will become so exceedingly power- ful , as not to escape the most inattentive observer . Example 1. Cicero supplies a beautiful period of the former spe- cies , in his oration for the Manilian law . " Quare cum et bellum ita ...
... impression will become so exceedingly power- ful , as not to escape the most inattentive observer . Example 1. Cicero supplies a beautiful period of the former spe- cies , in his oration for the Manilian law . " Quare cum et bellum ita ...
Seite 89
... impression of one object , not of many . Now , in order to pre- serve this unity of a sentence , the following rules must be observed . 155. In the first place , during the course of the sentence , the scene should be changed as little ...
... impression of one object , not of many . Now , in order to pre- serve this unity of a sentence , the following rules must be observed . 155. In the first place , during the course of the sentence , the scene should be changed as little ...
Seite 92
... impression which a more happy arrangement would have produced . 160. The first rule for promoting the strength of a sentence , is , to divest it of all redundant words . These may , sometimes , be consistent with a consi- derable degree ...
... impression which a more happy arrangement would have produced . 160. The first rule for promoting the strength of a sentence , is , to divest it of all redundant words . These may , sometimes , be consistent with a consi- derable degree ...
Inhalt
177 | |
181 | |
187 | |
194 | |
200 | |
209 | |
216 | |
222 | |
48 | |
54 | |
55 | |
61 | |
74 | |
80 | |
86 | |
93 | |
103 | |
106 | |
112 | |
118 | |
125 | |
131 | |
137 | |
144 | |
149 | |
171 | |
229 | |
239 | |
245 | |
253 | |
259 | |
267 | |
273 | |
279 | |
282 | |
288 | |
295 | |
303 | |
309 | |
315 | |
321 | |
329 | |
336 | |
342 | |
Andere Ausgaben - Alle anzeigen
A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of ... Alexander Jamieson Keine Leseprobe verfügbar - 2018 |
A Grammar of Rhetoric, and Polite Literature: Comprehending the Principles ... Alexander Jamieson Keine Leseprobe verfügbar - 2017 |
A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of ... Alexander Jamieson Keine Leseprobe verfügbar - 2017 |
Häufige Begriffe und Wortgruppen
action admit adverbs agent agreeable allegory Amphibrach Analysis ancient appear attention beauty character chiefly Cicero circumstances common comparison composition Corol criticism Dean Swift degree Demosthenes denote discourse distinguished effect elegance emotion employed English epic epic poetry Example expression figure former frequently genius give grace Greek hath hearers Hence Homer ideas Iliad Illus imagination imitation impression instance Julius Cæsar kind language Lord Bolingbroke manner meaning melody merit metaphors mind nature never nouns objects obscure observe orator ornament Ossian Paradise Lost passion pause period person perspicuity phrases pleasure poem poet poetical poetry precision preposition principles pronouns proper propriety prose qualities reader reason resemblance rule Scholia Scholium sense sensible sentence sentiments signify simplicity sometimes sound speaker speaking species speech Spondee style sublime substantive syllables taste tence things thou thought tion tone trochees verb verse Virgil virtue words writing
Beliebte Passagen
Seite 199 - Should such a man, too fond to rule alone. Bear, like the Turk, no brother near the throne; View him with scornful, yet with jealous eyes, And hate for arts that caused himself to rise; Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer...
Seite 184 - tis slander; Whose edge is sharper than the sword; whose tongue Outvenoms all the worms of Nile ; whose breath Rides on the posting winds, and doth belie All corners of the world : kings, queens, and states. Maids, matrons, nay, the secrets of the grave This viperous slander enters.
Seite 175 - fair light, And thou enlighten'd earth, so fresh and gay, Ye hills, and dales, ye rivers, woods, and plains, And ye that live and move, fair creatures, tell, Tell, if ye saw, how came I thus, how here?
Seite 162 - The music of Carryl was, like the ." memory of joys that are past, pleasant and
Seite 138 - Sweet is the breath of morn, her rising sweet, With charm of earliest birds; pleasant the sun, When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening mild...
Seite 133 - With many a weary step, and many a groan, Up the high hill he heaves a huge round stone ; The huge round stone, resulting with a bound, Thunders impetuous down, and smokes along the ground.
Seite 326 - To hear the lark begin his flight, And singing startle the dull night, From his watch-tower in the skies, Till the dappled dawn doth rise...
Seite 307 - How lov'd, how honour'd once, avails thee not, To whom related, or by whom begot ; A heap of dust alone remains of thee, 'Tis all thou art, and all the proud shall be ! Poets themselves must fall, like those they sung, Deaf the prais'd ear, and mute the tuneful tongue.
Seite 119 - From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Seite 307 - WHEN all thy mercies, O my God, My rising soul surveys, Transported with the view I'm lost In wonder, love, and praise...