Conceptualizing Music: Cognitive Structure, Theory, and AnalysisOxford University Press, 14.11.2002 - 376 Seiten This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. |
Andere Ausgaben - Alle anzeigen
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence M. Zbikowski Eingeschränkte Leseprobe - 2002 |
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence Michael Zbikowski,Lawrence M. Zbikowski Eingeschränkte Leseprobe - 2002 |
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence Michael Zbikowski Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
account of musical basic bass Beethoven bellpath bells Bye Bye Blackbird cadence Cambridge University Press century chap chapter chord cognitive structure compositional strategy conceptual blending conceptual domains conceptual metaphor conceptual models correlated crossdomain mapping cultural developed Die schöne Müllerin discussion doublevoiced discourse edited Eleanor Rosch elements example harmonic human intervals jazz Jeff Jeff’s language Leidensmotiv Ludwig van Beethoven Mark Turner measurecategory measures melody mental spaces metaphor motive forms movement Mozart Music Analysis music theory musical discourse musical form musical materials musical organization musical syntax Nonetheless notation notion ontology performance perspective phrase pitches pitchevents poem principal motive Rameau relationships rhetoric Rhythm Robert Schumann Schenker Schoenberg Schubert Schumann’s Signifyin(g sonata song sort specific String Quartet Symphony syntactic text painting theories of music theorists tonal tonic Tristan und Isolde Trockne Blumen tune Twinkle typical understanding Ursatz variant voice Wagner’s York