Shakespeare's Tragic SkepticismYale University Press, 01.01.2002 - 283 Seiten Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
Im Buch
Ergebnisse 1-5 von 55
Seite x
... sense " of experience for the majority of mankind in each generation — especially ideas about the definition and stability of human character and the moral significance of behavior , or even about the discoverable links to one another ...
... sense " of experience for the majority of mankind in each generation — especially ideas about the definition and stability of human character and the moral significance of behavior , or even about the discoverable links to one another ...
Seite xi
Millicent Bell. the collapse of the sense of time's sequential order in Macbeth , or the revelation of history's duplicity in the Roman plays . Criticism has tended to overlook the apparent inconsistencies , gaps , and contradictions in ...
Millicent Bell. the collapse of the sense of time's sequential order in Macbeth , or the revelation of history's duplicity in the Roman plays . Criticism has tended to overlook the apparent inconsistencies , gaps , and contradictions in ...
Seite 2
... sense of human experience — this , too , may not have seemed self - evident to Shakespeare either . His greatest plays seem to rely upon the commonsense logic that connects what happens with causes in circumstances and character ; after ...
... sense of human experience — this , too , may not have seemed self - evident to Shakespeare either . His greatest plays seem to rely upon the commonsense logic that connects what happens with causes in circumstances and character ; after ...
Seite 3
... sense as description of a type of person coming into view in the new century , one who was uninhibited by abstract principles . lago is mistakenly called honest by those , like Othello , who trust him to tell the truth , and the term ...
... sense as description of a type of person coming into view in the new century , one who was uninhibited by abstract principles . lago is mistakenly called honest by those , like Othello , who trust him to tell the truth , and the term ...
Seite 9
... sense of cosmic cause beyond mankind's control made human events seem without origin in the will and character of any person — and was , indeed , a threat to the idea of moral responsi- bility . For all his predestinarian convictions ...
... sense of cosmic cause beyond mankind's control made human events seem without origin in the will and character of any person — and was , indeed , a threat to the idea of moral responsi- bility . For all his predestinarian convictions ...
Inhalt
Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor ambiguous ambition Antony and Cleopatra Antony's appears asks audience Banquo blood Brabantio Brutus called Cassio cause character Claudius Cordelia crime daughters death deed denies Desdemona doubt dramatic Duncan Edgar Edmund Emilia expressed faith false father feel fideism Florio Folio Fool Fortinbras fourth act ghost Gloucester Goneril Hamlet hath hear Holinshed Horatio human Iago Iago's idea identity imagination jealousy Julius Caesar Kent killed King Lear Lady Macbeth Laertes lago Lear's Macduff Machiavellian madness Malcolm marriage meaning mind Montaigne Montaigne's motive murder nature never observed Ophelia Othello philosophic skepticism play's playwright plot Plutarch Polonius prophecy Quarto reference Regan reminds revenge Roderigo role Roman royal says scene seems selfhood sense sexual Shake Shakespeare Shakespeare's play skepticism social soliloquy someone speaks speare's stage story suggested tells theater theatrical things thou thought tion tragedy tragic trial true truth witchcraft witches word
Verweise auf dieses Buch
Vanities of the Eye: Vision in Early Modern European Culture Stuart Clark Keine Leseprobe verfügbar - 2007 |
Special Section, Shakespeare and Montaigne Revisited Graham Bradshaw,T. G. Bishop,Peter Holbrook Eingeschränkte Leseprobe - 2006 |