Julius CaesarHoughton Mifflin, 1911 - 110 Seiten |
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Seite iii
... in the Date of the Play . Stationers ' Register in 1602 ) , arguing from the similarity between the characters and experiences of the two heroes , Brutus and Hamlet . In such an event , Brutus would seem to be the first rough draft ,. I.
... in the Date of the Play . Stationers ' Register in 1602 ) , arguing from the similarity between the characters and experiences of the two heroes , Brutus and Hamlet . In such an event , Brutus would seem to be the first rough draft ,. I.
Seite v
... character is drawn , and the won- derful dramatic effects that are produced by the grouping of characters . The leading dramatis persona- Cæsar , Cassius , Brutus , and Antony - - stand out in bold relief , each definitely and strongly ...
... character is drawn , and the won- derful dramatic effects that are produced by the grouping of characters . The leading dramatis persona- Cæsar , Cassius , Brutus , and Antony - - stand out in bold relief , each definitely and strongly ...
Seite vi
... character , which are to be adjusted with one another , and tallied with the traits of the Cæsar of history ; upon the curious failure of Cæsar and Cassius to understand each other ; and upon Antony's power over men . Nor are the characters ...
... character , which are to be adjusted with one another , and tallied with the traits of the Cæsar of history ; upon the curious failure of Cæsar and Cassius to understand each other ; and upon Antony's power over men . Nor are the characters ...
Seite viii
... It bears witness to these points of significance : first , the play is given a per- fectly symmetrical form ; second , the conspirators are the controlling characters in the play ; third , the great viii INTRODUCTION.
... It bears witness to these points of significance : first , the play is given a per- fectly symmetrical form ; second , the conspirators are the controlling characters in the play ; third , the great viii INTRODUCTION.
Seite ix
William Shakespeare. controlling characters in the play ; third , the great enduring character is Brutus ; fourth , the dramatic effect of the play depends upon the portrayal of the powerful passions which actuate the leading characters ...
William Shakespeare. controlling characters in the play ; third , the great enduring character is Brutus ; fourth , the dramatic effect of the play depends upon the portrayal of the powerful passions which actuate the leading characters ...
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Häufige Begriffe und Wortgruppen
Alarum Antony's art thou ARTEMIDORUS bear blood Brutus and Cassius Brutus's Cæs Caius Calpurnia Capitol Casca Cassius's Cato ceremonies character Cicero Cinna Clitus Complete Poetical conspirators countrymen Dardanius death Decius Brutus deed dost doth dramatic enemy Enter BRUTUS Exeunt Exit fear feast of Lupercal fire follow Fourth Cit friends Ghost give gods griefs Hamlet hand hath hear heart honour humour ides of March Julius Cæsar Lepidus Ligarius Literature look lord Lucil Lucilius Marcus Brutus Mark Antony mean Messala Metellus Cimber mighty mov'd Nervii night noble Brutus Octavius Philippi Pindarus play Plutarch poet Portia Prose Publius Re-enter LUCIUS Richard Grant White Riverside Roman Rome SCENE senators Shake Shakespeare sick Soothsayer speak speech spirit stand Strato sword tell thee thing Third Cit thou art Titinius to-day to-night Trebonius unto Volumnius word wrong