Julius CaesarHoughton Mifflin, 1911 - 110 Seiten |
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Seite iii
... play was printed from the author's own manuscript of a stage copy , in which case we may perhaps have the acting version as it was cut down for stage purposes . The direct quick movement of the play would lend authority to this ...
... play was printed from the author's own manuscript of a stage copy , in which case we may perhaps have the acting version as it was cut down for stage purposes . The direct quick movement of the play would lend authority to this ...
Seite iv
... play , " this is one of the comparatively few which are purely Shakesperean . It is not founded upon Sources of any other , nor is there in it a trace of any hand the Play . but Shakespeare's . The substance of the story is taken from ...
... play , " this is one of the comparatively few which are purely Shakesperean . It is not founded upon Sources of any other , nor is there in it a trace of any hand the Play . but Shakespeare's . The substance of the story is taken from ...
Seite v
... play as a study of character ; second , the play as a study of a simple plot presenting in the regular arch form the rise , crisis , and fall of the action ; third , the play as a splendid example of Shakespeare's finest rhetori cal ...
... play as a study of character ; second , the play as a study of a simple plot presenting in the regular arch form the rise , crisis , and fall of the action ; third , the play as a splendid example of Shakespeare's finest rhetori cal ...
Seite vi
... play , as indeed there seldom is in Shakespeare , and no one whom we suspect to have been " lugged " in for a purpose : each one is there as if by right of creation , alive , individual , significant . Moreover , out of the Roman mob ...
... play , as indeed there seldom is in Shakespeare , and no one whom we suspect to have been " lugged " in for a purpose : each one is there as if by right of creation , alive , individual , significant . Moreover , out of the Roman mob ...
Seite vii
... play upon a symmetrical form which , like an arch , should divide itself . into two halves meeting at the crisis or keystone . The inter- est which covers the whole of this dramatic action centres , not in the career of Cæsar , but in ...
... play upon a symmetrical form which , like an arch , should divide itself . into two halves meeting at the crisis or keystone . The inter- est which covers the whole of this dramatic action centres , not in the career of Cæsar , but in ...
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Alarum Antony's art thou ARTEMIDORUS bear blood Brutus and Cassius Brutus's Cæs Caius Calpurnia Capitol Casca Cassius's Cato ceremonies character Cicero Cinna Clitus Complete Poetical conspirators countrymen Dardanius death Decius Brutus deed dost doth dramatic enemy Enter BRUTUS Exeunt Exit fear feast of Lupercal fire follow Fourth Cit friends Ghost give gods griefs Hamlet hand hath hear heart honour humour ides of March Julius Cæsar Lepidus Ligarius Literature look lord Lucil Lucilius Marcus Brutus Mark Antony mean Messala Metellus Cimber mighty mov'd Nervii night noble Brutus Octavius Philippi Pindarus play Plutarch poet Portia Prose Publius Re-enter LUCIUS Richard Grant White Riverside Roman Rome SCENE senators Shake Shakespeare sick Soothsayer speak speech spirit stand Strato sword tell thee thing Third Cit thou art Titinius to-day to-night Trebonius unto Volumnius word wrong