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him up in a sentence. He is so palpable, so real, so near at hand, that the critic or expounder of him promises himself an easy victory; but before one can close with him he is gone. He is, after all, as subtle and baffling as the air or light.

"I will certainly elude you, Even while you should think you had unquestionably caught me, behold!

Already you see I have escaped from you."

It is probably this characteristic which makes Whitman an irrepressible figure in literature; he will not down for friend or foe. He escapes from all classification, and is larger than any definition of him that has yet been given. How many times has he been exploded by British and American critics; how many times has he been labeled and put upon the shelf, only to reappear again as vigorous and untranslatable as ever!

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So far as Whitman stands merely for the spirit of revolt, or of reaction against current modes in life and literature, I have little interest in him. As the "apostle of the rough, the uncouth," to use Mr. Howells's words, the world would long ago have tired of him. The irruption into letters of the wild and lawless, or of the strained and eccentric, can amuse and interest us only for a moment.

It is because these are only momentary phases of him, as it were, and because underneath all he embraces the whole of life and ministers to it, that his fame and influence are still growing in the world. One hesitates even to call Whitman the poet of "democracy," or of "personality," or of "the modern," because such terms only half define him. He quickly escapes into that large and universal air which all great art breathes. We cannot sum him up in a phrase. He flows out on all sides, and his sympathies embrace all types and conditions of men. He is a great democrat, but, first and last and over all, he is a great man, a great nature, and deep world-currents course through him. He is distinctively an American poet, but his Americanism is only the door through which he enters upon the universal.

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Call his work poetry or prose, or what you will: that it is an inspired utterance of some sort, any competent person ought to be able to see. And what else do we finally demand of any work than that it be inspired? How all questions of form and art, and all other questions, sink into insignificance beside that! The exaltation of mind and spirit shown in the main body of Whitman's work, the genuine, prophetic fervor, the intensification and amplification of the simple ego, and the resultant

raising of all human values, seem to me as plain as daylight.

Whitman is to be classed among the great names by the breadth and all-inclusiveness of his theme and by his irrepressible personality. I think it highly probable that future scholars and critics will find his work fully as significant and era-marking as that of any of the few supreme names of the past. It is the culmination of an age of individualism, and, as opposites meet, it is also the best lesson in nationalism and universal charity that this century has seen.

BIOGRAPHICAL AND PERSONAL

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ALT WHITMAN was born at West Hills, Long Island, May 30, 1819, and died at Camden, N. J., March 26, 1892. Though born in the country, most of his life was passed in cities; first in Brooklyn and New York, then in New Orleans, then in Washington, and lastly in Camden, where his body is buried. It was a poet's life from first to last, free, unhampered, unworldly, unconventional, picturesque, simple, untouched by the craze of money-getting, unselfish, devoted to others, and was, on the whole, joyfully and contentedly lived. It was a pleased and interested saunter through the world, — no hurry, no fever, no strife; hence no bitterness, no depletion, no wasted energies. A farm boy, then a school-teacher, then a printer, editor, writer, traveler, mechanic, nurse in the army hospitals, and lastly government clerk; large and picturesque of figure, slow of movement; tolerant, passive, receptive, and democratic, — of the people; in all his tastes and attractions, always aiming to walk abreast with the great laws and forces, and to live thoroughly in the free, nonchalant

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