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Aristotle's Theory of Poetry and Fine Art: With a Critical Text and ...
S. H. 1850-1910 Butcher,Aristotle Poetics
Keine Leseprobe verfügbar - 2016
according action admits Aeschylus aesthetic apogr appears Aristotle Aristotle's artistic become beginning called cause character comedy Corneille critics definition distinct drama effect element emotions epic error excite expression external fact fear feeling follows forces fortune give Greek hero higher human idea ideal imagination imitation implies impression incidents individual kind less limit meaning mind moral nature object observation organic passage persons phrase pity pity and fear play pleasure plot poem Poet Poetics poetry present principle probably produce proper purely reality reason relation representation represented result rule says sense single stage suffering theory thing thought tion tragedy tragic true truth unity universal whole writers γαρ δε διά εις εκ εν επί έστι έστιν και κατά μεν μη οίον ου ουκ περί τα τε το τούτο τραγωδία των ώσπερ
Seite 23 - Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative ; through pity and fear effecting the proper purgation of these emotions.
Seite 33 - The work of Herodotus might be put into verse, and it would still be a species of history, with metre no less than without it. The true difference is that one relates what has happened, the other -what may happen. Poetry, therefore, is a more philosophical and a higher thing than history, for poetry tends to express the universal, history the particular.
Seite 276 - ... Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance : Think, when we talk of horses, that you see them Printing their proud hoofs i...
Seite 31 - Unity of plot does not, as some persons think, consist in the unity of the hero. For infinitely various are the incidents in one man's life which cannot be reduced to unity; and so, too, there are many actions of one man out of which we cannot make one action.
Seite 33 - As therefore, in the other imitative arts, the imitation is one when the object imitated is one, so the plot, being an imitation of an action, must imitate one action and that a whole, the structural union of the parts being such that, if any one of them is displaced or removed, the whole will be disjointed and disturbed.
Seite 284 - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life : but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse; or that, if other excellencies are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
Seite 73 - Metaphor consists in giving the thing a name that belongs to something else; the transference being either from genus to species, or from species to genus, or from species to species, or on grounds of analogy.
Seite 337 - Now, of time they are much more liberal, for ordinary it is that two young princes fall in love. After many traverses, she is got with child, delivered of a fair boy, he is lost, groweth a man, falls in love, and is ready to get another child, and all this in two hours...
Seite 45 - In the second rank comes the kind of tragedy which some place first. Like the Odyssey, it has a double thread of plot and also an opposite catastrophe for the good and for the bad. It is accounted the best because of the weakness of the spectators, for the poet is guided in what he writes by the wishes of his audience.
Seite 230 - Aristotle to be of power, by raising pity and fear, or terror, to purge the mind of those and such like passions, that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.