"The Vice of Wedlock": The Theme of Marriage in George Gissing's NovelsAlmqvist & Wiksell (distributor), 1994 - 144 Seiten Gissing's "marriage novels" exhibit a remarkable insight into the psychology of marriage where contemporary marital issues are reflected and set up experimentally to disclose the difficulties in reconciling the practical reality with the new theories. In his charting of the boundaries between the old and the new ideals, Gissing has been criticized for ambiguity and misogyny. By placing his novels in a literary and social context and presenting close readings of five major novels of the 1890s, this study challenges these widely held views and hopes to do justice to Gissing's discerning marriage portrayals, comparable to those of Balzac, Ibsen and Strindberg. |
Inhalt
ACKNOWLEDGEMENTS | 8 |
Varieties of Marriage | 23 |
The Emancipated | 36 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Alma Alma's ambiguity artistic attitude August Strindberg Bakhtin Barfoot behaviour Brighton Cecily Cecily's chapter characters child contemporary critics Cunningham daughter David Grylls described divorce Dostoevsky edition and incorporated Eduard Bertz Elgar Emancipated English Everard fact feels female Feminism feminist finds free union George Gissing girl Gissing Newsletter Gissing to Eduard Gissing's novels Grant Allen Grub Street Grylls happy Harvester Harvey Harvey's heroine husband and wife ideal independence influence intellectual Isabel Clarendon jealousy Jubilee later novels letter to Eduard Letters of George Linehan literary live Lloyd Fernando London male male chauvinism Mallard marital Markow marriage married Milvain Miriam misogyny Mona Caird Monica Morton mother motherhood Mutimer Nancy Nancy Lord Nancy's natural Odd Women passionate Pierre Coustillas polyphonic Reardon relationship Reuben Rhoda Nunn riage role Rolfe Selig sense sexual Sjöholm Sloan social society Strindberg struggle takes Tarrant theme thought Victorian Whirlpool Widdowson wife's William Godwin Woman question