The Works of Shakespeare, Band 3Routledge, Warne & Routledge, 1862 |
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Seite 16
... speech , Were I but where ' t is spoken . PRO . How ! the best ? What wert thou , if the king of Naples heard thee ? FER . A single thing , as I am now , that wonders To hear thee speak of Naples . He does hear me , And that he does I ...
... speech , Were I but where ' t is spoken . PRO . How ! the best ? What wert thou , if the king of Naples heard thee ? FER . A single thing , as I am now , that wonders To hear thee speak of Naples . He does hear me , And that he does I ...
Seite 21
... speech may have arisen from the retention of the poet's first , as well as of his reconsidered thought . By reading the passage without the words , " Professes to persuade , " as Steevens justly remarks , " nothing is wanting to its ...
... speech may have arisen from the retention of the poet's first , as well as of his reconsidered thought . By reading the passage without the words , " Professes to persuade , " as Steevens justly remarks , " nothing is wanting to its ...
Seite 51
... speech is founded upon the invocation of Medea in Ovid's Metamor- phoses , for which it is evident , from several expressions , that Shakespeare consulted Golding's translation : - " Ye Ayres and Windes , ye Elves of Hilles , of Brookes ...
... speech is founded upon the invocation of Medea in Ovid's Metamor- phoses , for which it is evident , from several expressions , that Shakespeare consulted Golding's translation : - " Ye Ayres and Windes , ye Elves of Hilles , of Brookes ...
Seite 58
... speech unable ; Beyond all manner of so much I love you . CORD . [ Aside . ] What shall Cordelia do ? + Love , and be silent . LEAR . Of all these bounds , even from this line to this , ( * ) First folio , word . ( + ) First folio ...
... speech unable ; Beyond all manner of so much I love you . CORD . [ Aside . ] What shall Cordelia do ? + Love , and be silent . LEAR . Of all these bounds , even from this line to this , ( * ) First folio , word . ( + ) First folio ...
Seite 65
... , the remainder of this speech , and Edgar's reply , are omitted . c Not to be over - rul'd . ] This , and the four following lines , are omitted in the folio . F That he hath given away ! -Now , by my ACT 1. ] KING LEAR . [ SCENE III .
... , the remainder of this speech , and Edgar's reply , are omitted . c Not to be over - rul'd . ] This , and the four following lines , are omitted in the folio . F That he hath given away ! -Now , by my ACT 1. ] KING LEAR . [ SCENE III .
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Achilles Ajax Antony Banquo bear blood Brutus Cæsar CASCA Cassio CLEO Cleopatra Collier's annotator Cominius Coriolanus CRES daughter dead dear death deed DEMET Desdemona dost doth Enter Exeunt Exit eyes fair father fear folio omits follow fool fortune friends give gods grace Hamlet hand hath hear heart heaven Hector honour IAGO Julius Cæsar KENT king kiss lady Laertes LEAR live look lord Lucius MACB Macbeth MACD madam Marcius Mark Antony means never night noble o'er Old text Othello Pandarus Patroclus play Pompey poor pr'ythee pray quarto queen Re-enter Rome SCENE Shakespeare shalt shame sorrow soul speak stand Steevens sweet sword tears tell thee there's thine thing thou art thou hast thought Titus Andronicus tongue Troilus true ULYSS unto wife word Отн