The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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Seite 16
... fhew all the poets of anti- quity out - done by Shakspeare , in all the topicks and common - places made ufe of in poetry . The enemies of Shakspeare would by no means yield him fo much excellence ; fo that it came to a refolution of a ...
... fhew all the poets of anti- quity out - done by Shakspeare , in all the topicks and common - places made ufe of in poetry . The enemies of Shakspeare would by no means yield him fo much excellence ; fo that it came to a refolution of a ...
Seite 25
... fhew any teftimony of his regard for Mr. Combe , that gentleman being then dead ; but that he continued a friendly cor- refpondence with his family to the laft , appears evidently ( as Mr. Steevens has obferved ) from his leaving his ...
... fhew any teftimony of his regard for Mr. Combe , that gentleman being then dead ; but that he continued a friendly cor- refpondence with his family to the laft , appears evidently ( as Mr. Steevens has obferved ) from his leaving his ...
Seite 40
... fhew his refpect for her memory by a monument , or even an infcrip- tion of kind . He feems not to have been fenfible of the honour- any This is what I could learn of any note , 40 SOME ACCOUNT OF THE LIFE , & c . efq. and afterwards to ...
... fhew his refpect for her memory by a monument , or even an infcrip- tion of kind . He feems not to have been fenfible of the honour- any This is what I could learn of any note , 40 SOME ACCOUNT OF THE LIFE , & c . efq. and afterwards to ...
Seite 60
... he writ ; and both fhew how powerful he was , in giving the strongest motions to our fouls that they are capable of . I cannot leave Hamlet , without taking notice of the advantage with which 60 SOME ACCOUNT OF THE LIFE , & c .
... he writ ; and both fhew how powerful he was , in giving the strongest motions to our fouls that they are capable of . I cannot leave Hamlet , without taking notice of the advantage with which 60 SOME ACCOUNT OF THE LIFE , & c .
Seite 104
... com- mitted , by a paire fo carefull to fhew their gra- titude both to the living , and the dead , as is Your Lordfhippes most bounden , JOHN HEMINGE . HENRY CONDELL . THE PRE FACE O F THE PLAYER S. TO THE 104 THE PLAYERS ' DEDICATION .
... com- mitted , by a paire fo carefull to fhew their gra- titude both to the living , and the dead , as is Your Lordfhippes most bounden , JOHN HEMINGE . HENRY CONDELL . THE PRE FACE O F THE PLAYER S. TO THE 104 THE PLAYERS ' DEDICATION .
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acted addreffed afcertain againſt alfo alluded allufion appears becauſe Cæfar circumftance comedy Comedy of Errors compofitions copy criticks Cymbeline daughter death difcovered drama dramatick edition editor Engliſh faid fame fays fcene fecond folio feems feen feveral fhall fhew fhould fince firft firſt fome fometimes fpeare ftage fubject fuch fufficient fuppofe Hamlet Henry IV Hiftory himſelf impreffions inferted inftances Jonfon juft King Henry King Henry VI King Lear labour laft leaſt lefs likewife Loft Lover's Melancholy Macbeth MALONE moft moſt muft muſt obfcure obferved occafion old plays paffage perfons piece players pleaſe pleaſure poet poet's prefent printed probably publick publiſhed quarto reafon Regifter Richard Romeo and Juliet ſcene ſeems Shak Shakspeare Shakspeare's ſtage STEEVENS Stratford Stratford-upon-Avon theatre thefe themſelves theſe thofe Thomas thoſe tion Titus Andronicus tragedy tranflation Twelfth Night uſed verfes whofe William Shakspeare Winter's Tale words writer written
Beliebte Passagen
Seite 186 - He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Seite 221 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
Seite 179 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Seite 221 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Seite 47 - They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
Seite 176 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Seite 220 - Notes are often necessary, but they are necessary evils. Let him that is yet unacquainted with the powers of Shakespeare and who desires to feel the highest pleasure that the drama can give read every play from the first scene to the last, with utter negligence of all his commentators. When his fancy is once on the wing, let it not stoop at correction or explanation.
Seite 192 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
Seite 358 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Seite 184 - Shakespeare engaged in dramatic poetry with the world open before him. The rules of the ancients were yet known to few; the public judgment was unformed; he had no example of such fame as might force him upon imitation, nor critics of such authority as might restrain his extravagance.