Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 62Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 100
Seite 1
... Richard III. For further information on the critical and stage history of Richard III , see SC , Volumes 8 , 14 , 39 , and 52 . INTRODUCTION Richard III , written circa 1592 , is the fourth play in Shake- speare's first historical ...
... Richard III. For further information on the critical and stage history of Richard III , see SC , Volumes 8 , 14 , 39 , and 52 . INTRODUCTION Richard III , written circa 1592 , is the fourth play in Shake- speare's first historical ...
Seite 10
... Richard deliv- ers a second soliloquy which is primarily a descriptive analysis of the self which we saw come into being during the first , a self which Richard characterizes as " I that have neyther pitty , love , nor feare , " and , a ...
... Richard deliv- ers a second soliloquy which is primarily a descriptive analysis of the self which we saw come into being during the first , a self which Richard characterizes as " I that have neyther pitty , love , nor feare , " and , a ...
Seite 118
... Richard on this , although the fact that Richard's villainy is noninstrumental is not the only reason for regarding him as evil ( Richard G. Moul- ton , Shakespeare as a Dramatic Artist [ 1885 ; New York , 1966 ] , p . 93 , hereafter ...
... Richard on this , although the fact that Richard's villainy is noninstrumental is not the only reason for regarding him as evil ( Richard G. Moul- ton , Shakespeare as a Dramatic Artist [ 1885 ; New York , 1966 ] , p . 93 , hereafter ...
Inhalt
Dreams Prophesies and Curses | 14 |
Female Characters | 31 |
Religious Elements | 60 |
Urheberrecht | |
15 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron actor Anne argues argument audience Bassianus beauty brother Cesario characters chard Clarence Clarence's comedy critics curses death disguise dramatic dream E. K. Chambers edition Edward Elizabeth Elizabethan English essay female Feste gender Gentlemen of Verona Gloucester Goths hath Henry Henry VI identity imagery King King Lear Lady language Lavinia lines literary London male Malvolio Marcus Margaret means metaphor mirror murder Olivia Orsino performance play play's plot poems poet poet's poetry political praise procreation sonnets Queen rape relationship Renaissance revenge rhetoric Richard Richard III Richmond role Roman Rome Saturninus scene Sebastian seems Senecan sequence sexual Shake Shakespeare Shakespeare's Sonnets Sir Toby social soliloquy sonnet 33 speak speare speare's speech stage story suggests Tamora theatrical thee thou tion Titus Andronicus Titus's tragedy Twelfth Night verse villain Viola violence William Shakespeare woman women words writing York young