...and obvious prejudices.* What we see upon a stage is body nnd bodily action ; what we are con. scious of in reading is almost exclusively the mind, and its movements : and this 1 think may sufficiently account for the very different soil of delight with which the same play so...

...motives — all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action...almost exclusively the mind, and its movements; and (his I think may sufficiently account for the very different sort of delight with which the same play...

...motives — all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action ; what we are conscious of in reading ia almost exclusively the mind, and its movements ; and this I think may sufficiently account for the...

...motives, — all that which is unseen, — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action;...the mind, and its movements : and this I think may * The error of supposing that because Othello's colour does not offend us in the reading, it should...

...picture. The painters themselves feel this, as is apparent by the awkward shifts they have recourse and bodily action ; what we are conscious of in reading...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...picture. The painters themselves feel thi>, as is apparent liy the awkward shifts they have recourse and bodily action; what we are conscious of in reading...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...affect us just as they do jn the poem. But in the poem we for a while have Paradisaical senses given What we see upon a stage is body and bodily action;...movements: and this I think may sufficiently account ibr the very different sort of delight with which the same play so often a fleet s us ia the reading...

...picture. The painters themf elves feel this, as is apparent by the awkward shifts they have recourse and bodily action ; what we are conscious of in reading...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...motives — all that which is unseen — to overpower and reconcile the first and obvious prejudices.* What we see upon a stage is body and bodily action...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...

...us, which vanish when we see a. man and his wife without clothes in the picture. The pninters themand bodily action ; what we are conscious of in reading...seeing. It requires little reflection to perceive, that if those characters in Shakspeare which are within the precincts of nature, have yet something...