Jayashankar Prasad: His Mind and Art

achieve aesthetic Agnimitra Ajatashatru Anant Devi ancient Ansu artistic beauty Bharatendu Bhatark bliss Braj bhasha Chanakya Chandragupta characters Chhaya Chhayavad Chitradhar creative critics cultural depicts Devaki Devasena Dhruvasvamini dialogues Dvivedi emotional epic episodic poetry eternal experience expression faith feelings fiction Ghanti gupta Gupta empire hand heart Hindi drama Hindi literature historical human Ibid ideal imagination Indian Iravati Jayashankar Prasad Jharana Kamayani Kankal Kavya Khandahar Khariboli king Kishori Lahar language literary lover lyrical Madhuvan Magadh Malava Malavika Mangal Manu Manu's married mind Muktak Nand narrative nature Nirala Niranjan non-contextual novel Parsee personality philosophy plot poem poet poet's poetic Pralaya Prasad's dramas Prasad's plays Pratidhvani Prem Chand present problems Ramagupta realise romantic Salavati Sanskrit scene sense sensibility sentiments short stories Shraddha Skandagupta social songs stage stanza style sublime symbols theatre theatrical theme tion Titali tradition verse Vijaya Vishvamitra Vrindavan woman writing Yamuna