Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1922 - 498 Seiten |
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Seite 13
... because he saw a dagger in the air : he saw the dagger because he was about to murder Duncan . Lear's insanity is not the cause of a tragic conflict any more than Ophelia's ; it is , like Ophelia's LECT . I. 13 THE SUBSTANCE OF TRAGEDY.
... because he saw a dagger in the air : he saw the dagger because he was about to murder Duncan . Lear's insanity is not the cause of a tragic conflict any more than Ophelia's ; it is , like Ophelia's LECT . I. 13 THE SUBSTANCE OF TRAGEDY.
Seite 14
... conflict ; and in both cases the effect is mainly pathetic . If Lear were really mad when he divided his kingdom , if Hamlet were really mad at any time in the story , they would cease to be tragic characters . ( b ) Shakespeare also ...
... conflict ; and in both cases the effect is mainly pathetic . If Lear were really mad when he divided his kingdom , if Hamlet were really mad at any time in the story , they would cease to be tragic characters . ( b ) Shakespeare also ...
Seite 16
... conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose , to the influence of Hegel's theory on the subject , certainly the most important theory since Aristotle's . But Hegel's view of the ...
... conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose , to the influence of Hegel's theory on the subject , certainly the most important theory since Aristotle's . But Hegel's view of the ...
Seite 17
... conflict may quite naturally be conceived as lying between two persons , of whom the hero is one ; or , more fully , as lying between two parties or groups , in one of which the hero is the leading figure . Or if we prefer to speak ( as ...
... conflict may quite naturally be conceived as lying between two persons , of whom the hero is one ; or , more fully , as lying between two parties or groups , in one of which the hero is the leading figure . Or if we prefer to speak ( as ...
Seite 18
... conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a certain measure , it is so with nearly all the tragedies ...
... conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a certain measure , it is so with nearly all the tragedies ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth A C Bradley Keine Leseprobe verfügbar - 2014 |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words