Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1922 - 498 Seiten |
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Seite 18
... passion or impersonal principle ; doubts , desires , scruples , ideas — whatever can animate , shake , possess , and drive a man's soul . In a Shakespearean tragedy some such forces are shown in 18 LECT . I. SHAKESPEAREAN TRAGEDY.
... passion or impersonal principle ; doubts , desires , scruples , ideas — whatever can animate , shake , possess , and drive a man's soul . In a Shakespearean tragedy some such forces are shown in 18 LECT . I. SHAKESPEAREAN TRAGEDY.
Seite 20
... passion , or will attains is them a terrible force . In almost all we observe a marked one - sidedness , a pre- disposition in some particular direction ; a total incapacity , in certain circumstances , of resisting the force which ...
... passion , or will attains is them a terrible force . In almost all we observe a marked one - sidedness , a pre- disposition in some particular direction ; a total incapacity , in certain circumstances , of resisting the force which ...
Seite 37
... sides or aspects which we can neither separate nor reconcile . The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection : we LECT . I. 37 THE SUBSTANCE OF TRAGEDY.
... sides or aspects which we can neither separate nor reconcile . The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection : we LECT . I. 37 THE SUBSTANCE OF TRAGEDY.
Seite 38
... passion for perfection : we cannot otherwise explain its behaviour towards evil . Yet it appears to engender this evil within itself , and in its effort to overcome and expel it it is agonised with pain , and driven to mutilate its own ...
... passion for perfection : we cannot otherwise explain its behaviour towards evil . Yet it appears to engender this evil within itself , and in its effort to overcome and expel it it is agonised with pain , and driven to mutilate its own ...
Seite 45
... passion . We realise them at the end of the first page , and are almost ready to regard the hero as doomed . Often , again , at one or more points during the exposition this feeling is reinforced by some expression that has an ominous ...
... passion . We realise them at the end of the first page , and are almost ready to regard the hero as doomed . Often , again , at one or more points during the exposition this feeling is reinforced by some expression that has an ominous ...
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words