Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1922 - 498 Seiten |
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Seite 42
... tell them what he wants them to know by means which are interesting on their own account . These means , with Shakespeare , are not only speeches but actions and events . From the very beginning of the play , though the conflict has not ...
... tell them what he wants them to know by means which are interesting on their own account . These means , with Shakespeare , are not only speeches but actions and events . From the very beginning of the play , though the conflict has not ...
Seite 68
... tell he may also have constructed with unusual readiness . But we know that he revised and re - wrote ( for instance in Love's Labour's Lost and Romeo and Juliet and Hamlet ) ; it is almost impossible that he can have worked out the ...
... tell he may also have constructed with unusual readiness . But we know that he revised and re - wrote ( for instance in Love's Labour's Lost and Romeo and Juliet and Hamlet ) ; it is almost impossible that he can have worked out the ...
Seite 71
... tell his story in a succession of short chapters , in which he flitted from one group of his characters to another . This method shows itself here and there in the pure tragedies ( e.g. in the last Act of Macbeth ) , but it appears most ...
... tell his story in a succession of short chapters , in which he flitted from one group of his characters to another . This method shows itself here and there in the pure tragedies ( e.g. in the last Act of Macbeth ) , but it appears most ...
Seite 86
... tell my story . It is quite probable that this may arise in part from the fact , which seems hardly doubtful , that the tragedy was revised , and in places re - written , some little time after its first composition . But after Hamlet ...
... tell my story . It is quite probable that this may arise in part from the fact , which seems hardly doubtful , that the tragedy was revised , and in places re - written , some little time after its first composition . But after Hamlet ...
Seite 89
... tell your hearer nothing about Hamlet's character , what impression would your sketch make on him ? Would he not exclaim : ' What a sensational story ! Why , here are some eight violent deaths , not to speak of adultery , a ghost , a ...
... tell your hearer nothing about Hamlet's character , what impression would your sketch make on him ? Would he not exclaim : ' What a sensational story ! Why , here are some eight violent deaths , not to speak of adultery , a ghost , a ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words