Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1922 - 498 Seiten |
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Seite x
... in the Temptation scene 434 NOTE M. Questions as to Othello , IV . i . NOTE N. Two passages in the last scene of Othello NOTE O. Othello on Desdemona's last words 9 435 437 438 NOTE P. Did Emilia suspect Iago ? · NOTE Q. X CONTENTS.
... in the Temptation scene 434 NOTE M. Questions as to Othello , IV . i . NOTE N. Two passages in the last scene of Othello NOTE O. Othello on Desdemona's last words 9 435 437 438 NOTE P. Did Emilia suspect Iago ? · NOTE Q. X CONTENTS.
Seite 38
... words , ' There's a divinity that shapes our ends . ' More important are other impressions . Sometimes from the very furnace of affliction a conviction seems borne to us that somehow , if we could see it , this agony counts as nothing ...
... words , ' There's a divinity that shapes our ends . ' More important are other impressions . Sometimes from the very furnace of affliction a conviction seems borne to us that somehow , if we could see it , this agony counts as nothing ...
Seite 45
... words we hear from Macbeth , So foul and fair a day I have not seen , ' echo , though he knows it not , the last words we heard from the Witches , ' Fair is foul , and foul is fair . ' Romeo , on his way with his friends to the banquet ...
... words we hear from Macbeth , So foul and fair a day I have not seen , ' echo , though he knows it not , the last words we heard from the Witches , ' Fair is foul , and foul is fair . ' Romeo , on his way with his friends to the banquet ...
Seite 46
... words ( 1. ii . 120 ) : These strong Egyptian fetters I must break , Or lose myself in dotage ; and , again , in Hamlet's weary sigh , following so soon on the passionate resolution stirred by the message of the Ghost : The time is out ...
... words ( 1. ii . 120 ) : These strong Egyptian fetters I must break , Or lose myself in dotage ; and , again , in Hamlet's weary sigh , following so soon on the passionate resolution stirred by the message of the Ghost : The time is out ...
Seite 67
... may have asked themselves whether I have not used the words ' art ' and ' device ' and ' expedient ' and ' method ' too boldly , as though Shakespeare were a conscious artist , and not rather a LECT . II . 67 CONSTRUCTION.
... may have asked themselves whether I have not used the words ' art ' and ' device ' and ' expedient ' and ' method ' too boldly , as though Shakespeare were a conscious artist , and not rather a LECT . II . 67 CONSTRUCTION.
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words