Essays by Divers Hands: Being the Transactions of the Royal Society of Literature, Band 3 |
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Seite vii
... audiences with strange patterns of speech . But it is with the production of the Shakespearean plays that are the common heritage of the Empire and the Republic of the West that Mr. Granville - Barker is chiefly concerned in his lecture ...
... audiences with strange patterns of speech . But it is with the production of the Shakespearean plays that are the common heritage of the Empire and the Republic of the West that Mr. Granville - Barker is chiefly concerned in his lecture ...
Seite 24
... audience must undoubtedly have influenced the method of the dialogue , and may have led Shakes- peare to make certain demands on his actors of which their modern successors - not putting the plays to this same proof - remain unaware ...
... audience must undoubtedly have influenced the method of the dialogue , and may have led Shakes- peare to make certain demands on his actors of which their modern successors - not putting the plays to this same proof - remain unaware ...
Seite 25
... audience was not only in what a modern actor would consider uncomfortably close touch , but it was probably an unruly audience besides . This would account for a certain violence of attack which is indicated for the actor when it is ...
... audience was not only in what a modern actor would consider uncomfortably close touch , but it was probably an unruly audience besides . This would account for a certain violence of attack which is indicated for the actor when it is ...
Seite 26
... audience and the other characters were removed , probably towards the inner stage . Contrast this with the technical task set the modern actor if he and the other characters are placed by picture stage and footlights first upon another ...
... audience and the other characters were removed , probably towards the inner stage . Contrast this with the technical task set the modern actor if he and the other characters are placed by picture stage and footlights first upon another ...
Seite 27
... audience . He was content that his characters should appear as contemporary figures moving upon a stage , not in an historical Denmark 600 years earlier . I don't say that , nowadays , we cannot dismiss from our inner vision the picture ...
... audience . He was content that his characters should appear as contemporary figures moving upon a stage , not in an historical Denmark 600 years earlier . I don't say that , nowadays , we cannot dismiss from our inner vision the picture ...
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actor aesthetic ALFRED NOYES appear appreciation Apuleius artist audience beauty called Carlyle centenary century Cezanne Cobbett colour complete concerned consider contemporary course criticism decorative Demogorgon drama dramatic art dramatist edited El Greco Elisabethan England English English language essay expression fact feeling flowers genius Greco historical human imaginative Impressionist instance intellectual Keats landscape language Latin light lines literary lyrical Mary Godwin matter means ment merely modern movement natural never Noyes Oxford India paper painter painting passages picture pigment plays poem poet Poetical poetry Post-Impressionism Post-Impressionists present principles Professor Prometheus pure realise recently recognised Revolt of Islam rhetoric Roman scholar seems sense Shakespeare Shakespeare Apocrypha Shelley Shelley's Sir Henry SIR HENRY NEWBOLT Skylark sort soul speak speech stage structure Tennyson theatre things thought true universe verse W. E. Henley whole William Cobbett word Wordsworth writing