Essays by Divers Hands: Being the Transactions of the Royal Society of Literature, Band 3 |
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Seite 21
... impression I receive that many of these com- mentators can never have been in a theatre at all , their shades might reply that they had - but that they did not find Shakespeare there . But , whatever the cause , the effect , from the ...
... impression I receive that many of these com- mentators can never have been in a theatre at all , their shades might reply that they had - but that they did not find Shakespeare there . But , whatever the cause , the effect , from the ...
Seite 23
... impression it makes upon each of us . Not that the impressions of a cultured critic are not valuable evidence . But they are sometimes more informing as to the critic himself than the performance . Secondly , we have no record worth ...
... impression it makes upon each of us . Not that the impressions of a cultured critic are not valuable evidence . But they are sometimes more informing as to the critic himself than the performance . Secondly , we have no record worth ...
Seite 27
... impression made by the performance is very hard to shake off in the study . We can never be sure that we have quite succeeded . Consider first for a moment how any modern visuali- sation of the play of " Hamlet " is apt to differ from ...
... impression made by the performance is very hard to shake off in the study . We can never be sure that we have quite succeeded . Consider first for a moment how any modern visuali- sation of the play of " Hamlet " is apt to differ from ...
Seite 79
... impression as a musician might do , by a sustained chord , and he has the last words , " fallen and vanquishèd , " successively repeated by two personified echoes which have no other purpose . Again , in the first scene , Prometheus ...
... impression as a musician might do , by a sustained chord , and he has the last words , " fallen and vanquishèd , " successively repeated by two personified echoes which have no other purpose . Again , in the first scene , Prometheus ...
Seite 84
... impression into an equivalent , to speak . of the purple light of autumn as— 66 a soft and purple mist Like a vaporous amethyst Or an air - dissolved star Mingling light and fragrance far ; " " to compare 66 ' Music when soft voices die ...
... impression into an equivalent , to speak . of the purple light of autumn as— 66 a soft and purple mist Like a vaporous amethyst Or an air - dissolved star Mingling light and fragrance far ; " " to compare 66 ' Music when soft voices die ...
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actor aesthetic ALFRED NOYES appear appreciation Apuleius artist audience beauty called Carlyle centenary century Cezanne Cobbett colour complete concerned consider contemporary course criticism decorative Demogorgon drama dramatic art dramatist edited El Greco Elisabethan England English English language essay expression fact feeling flowers genius Greco historical human imaginative Impressionist instance intellectual Keats landscape language Latin light lines literary lyrical Mary Godwin matter means ment merely modern movement natural never Noyes Oxford India paper painter painting passages picture pigment plays poem poet Poetical poetry Post-Impressionism Post-Impressionists present principles Professor Prometheus pure realise recently recognised Revolt of Islam rhetoric Roman scholar seems sense Shakespeare Shakespeare Apocrypha Shelley Shelley's Sir Henry SIR HENRY NEWBOLT Skylark sort soul speak speech stage structure Tennyson theatre things thought true universe verse W. E. Henley whole William Cobbett word Wordsworth writing