Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 282
... Booth makes him give his adhesion to the plot . In the Senate scene , where Cæsar fails under the daggers of the conspirators , Mr. Booth has better realized the character of the man and the exigeney of the situation . Here we see him ...
... Booth makes him give his adhesion to the plot . In the Senate scene , where Cæsar fails under the daggers of the conspirators , Mr. Booth has better realized the character of the man and the exigeney of the situation . Here we see him ...
Seite 287
... Booth , to sacrifice instant pop- ular effect for the sake of truth . The sweetness and beauty of his embodiment of Brutus were not at once felt ; yet , when all was over , they were remembered . Just so it was , when , years ago , in ...
... Booth , to sacrifice instant pop- ular effect for the sake of truth . The sweetness and beauty of his embodiment of Brutus were not at once felt ; yet , when all was over , they were remembered . Just so it was , when , years ago , in ...
Seite 288
... Booth's physical appearance by an appeal to history : " Brutus like Cassius , was lean and pale - and Mr. Booth's physical embodiment of the character is therefore entirely accurate " [ The New York Tribune , 26 December 1871 ] ...
... Booth's physical appearance by an appeal to history : " Brutus like Cassius , was lean and pale - and Mr. Booth's physical embodiment of the character is therefore entirely accurate " [ The New York Tribune , 26 December 1871 ] ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's