Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 454
... Brook allows Titus ' al- most complete dependence on the gods for justice . Tam- ora herself implies the dishonorable motives in the Brook's rewrite . A comparison of the playwright's version and the modern adaptation reveals the ...
... Brook allows Titus ' al- most complete dependence on the gods for justice . Tam- ora herself implies the dishonorable motives in the Brook's rewrite . A comparison of the playwright's version and the modern adaptation reveals the ...
Seite 455
... Brook brought forward the quality of a world in which almost any action was believable . The reviewer for Punch ( Au- gust 26 , 1955 ) described Brook's labyrinth of disaster . Mr. Brook's settings have a brooding splendor , and despite ...
... Brook brought forward the quality of a world in which almost any action was believable . The reviewer for Punch ( Au- gust 26 , 1955 ) described Brook's labyrinth of disaster . Mr. Brook's settings have a brooding splendor , and despite ...
Seite 458
... Brook collaborated with Shakespeare , offering no ex- cuses as he had done a decade before in King John . The stage direction is : ' Enter a clown , with a basket and two pigeons in it . ' Titus calls : ' News , news , from heaven ...
... Brook collaborated with Shakespeare , offering no ex- cuses as he had done a decade before in King John . The stage direction is : ' Enter a clown , with a basket and two pigeons in it . ' Titus calls : ' News , news , from heaven ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's