Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 136
... Irving's most ardent admir- ers described his characterization of Coriolanus as in- genious in conception and superb in execution , but most critics felt that because Irving's temperament was so unlike the Roman general's , it was a ...
... Irving's most ardent admir- ers described his characterization of Coriolanus as in- genious in conception and superb in execution , but most critics felt that because Irving's temperament was so unlike the Roman general's , it was a ...
Seite 140
... Irving's recreation of Coriolanus , declaring that his conception of the role was masterful in its effective restraint and faithful to Shakespeare's portrait of the proud Roman general . ] Shakespeare at the Lyceum is always a ...
... Irving's recreation of Coriolanus , declaring that his conception of the role was masterful in its effective restraint and faithful to Shakespeare's portrait of the proud Roman general . ] Shakespeare at the Lyceum is always a ...
Seite 145
... Irving's three - act text , Aufidius did not appear until the last act . Deprived of the battle scenes , he was little more than a sword to run upon . He welcomed Marcius with a show of cordiality , enviously plotted against him , and ...
... Irving's three - act text , Aufidius did not appear until the last act . Deprived of the battle scenes , he was little more than a sword to run upon . He welcomed Marcius with a show of cordiality , enviously plotted against him , and ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's