Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 85
... Old Vic , with continuous action on an almost bare stage . At Stratford , Benson's successor , W. Bridges - Adams , was initiating a similar performance policy , using almost uncut texts and presenting the plays with one interval only ...
... Old Vic , with continuous action on an almost bare stage . At Stratford , Benson's successor , W. Bridges - Adams , was initiating a similar performance policy , using almost uncut texts and presenting the plays with one interval only ...
Seite 90
... Old Vic audiences lost not a line of her Cleopatra . Poel had taught her to look for the truth and real life in a character . He had also taught her a method of speaking Shakespeare . Shakespeare has this wonderful rhythm which , as my old ...
... Old Vic audiences lost not a line of her Cleopatra . Poel had taught her to look for the truth and real life in a character . He had also taught her a method of speaking Shakespeare . Shakespeare has this wonderful rhythm which , as my old ...
Seite 91
... Old Vic runs were strictly limited to three weeks , this one was allowed an extra week ; it did record business . In design the Old Vic of the twenties had been weaker than Bridges - Adams's Stratford . Williams's decision to adapt the ...
... Old Vic runs were strictly limited to three weeks , this one was allowed an extra week ; it did record business . In design the Old Vic of the twenties had been weaker than Bridges - Adams's Stratford . Williams's decision to adapt the ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's