Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 291
... actors seen last night produced a very powerful impression . The German style of acting and of enunciation is more conventional , one might say academical , than what we are accustomed to in this country . The powerful realism with ...
... actors seen last night produced a very powerful impression . The German style of acting and of enunciation is more conventional , one might say academical , than what we are accustomed to in this country . The powerful realism with ...
Seite 292
... acting in unison was sometimes ridiculous , and when on Antony's uncovering the corse of Caesar the women began to sob in chorus , a slight titter went through the house , and , for a moment , there was danger of the tragedy being ...
... acting in unison was sometimes ridiculous , and when on Antony's uncovering the corse of Caesar the women began to sob in chorus , a slight titter went through the house , and , for a moment , there was danger of the tragedy being ...
Seite 514
... acting companies , such as the LORD CHAMBERLAIN'S MEN and the KING'S MEN , for private performances at the Inns . Existing evidence indicates that at least two of Shakespeare's plays , The Comedy of Errors and Twelfth Night , were first ...
... acting companies , such as the LORD CHAMBERLAIN'S MEN and the KING'S MEN , for private performances at the Inns . Existing evidence indicates that at least two of Shakespeare's plays , The Comedy of Errors and Twelfth Night , were first ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's