Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 74
... appearance changed with hair brushed back to reveal the receding hairline . Peter Brook's production concentrated on the political implications of Antony's infatuation and while this was an interesting interpretation , one missed the ...
... appearance changed with hair brushed back to reveal the receding hairline . Peter Brook's production concentrated on the political implications of Antony's infatuation and while this was an interesting interpretation , one missed the ...
Seite 227
... appearance of the Volscian senate members in the black shirts of Italian fascists , for instance , pressed the theme of the villainy and commonality of war . With a set design by Loren Sherman that complemented Martin Pakledinaz's ...
... appearance of the Volscian senate members in the black shirts of Italian fascists , for instance , pressed the theme of the villainy and commonality of war . With a set design by Loren Sherman that complemented Martin Pakledinaz's ...
Seite 336
... appearance , which defined him so exactly . His was a Caesar who could be found scowling at you in the weekly newsreels . ( Actually there were no insignias on the uniforms whatsoever : they were all the same dark olive green in colour ...
... appearance , which defined him so exactly . His was a Caesar who could be found scowling at you in the weekly newsreels . ( Actually there were no insignias on the uniforms whatsoever : they were all the same dark olive green in colour ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's