Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 149
... audience response deteriorated into unprecedented fractiousness . Time and again speech- es were interrupted by jeers or applause from opposing po- litical sides . John Palmer later attributed this not to party politics but to another ...
... audience response deteriorated into unprecedented fractiousness . Time and again speech- es were interrupted by jeers or applause from opposing po- litical sides . John Palmer later attributed this not to party politics but to another ...
Seite 479
... audience which watches the representation of these hor- rors for its entertainment and also its instruction might be expected to react as the multitude did when Stubbs lost his right hand - with horror and pity , but above all else in ...
... audience which watches the representation of these hor- rors for its entertainment and also its instruction might be expected to react as the multitude did when Stubbs lost his right hand - with horror and pity , but above all else in ...
Seite 494
... audience as Lucius killed the Emperor ' [ Shakespeare Sur- vey , 41 ( 198 ) ] . For Wells , this on - stage response ' both di- rected and channelled off the audience's reactions ' . Exactly how Titus kills Lavinia and our sense of her ...
... audience as Lucius killed the Emperor ' [ Shakespeare Sur- vey , 41 ( 198 ) ] . For Wells , this on - stage response ' both di- rected and channelled off the audience's reactions ' . Exactly how Titus kills Lavinia and our sense of her ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's