Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 204
... become human , begin to live in a real world . He is at this point stung into colossal verbal activity by Rome's rejec- tion of his reality on the word ' traitor ' , and instantly takes on fabulous stature again : Thou injurious tribune ...
... become human , begin to live in a real world . He is at this point stung into colossal verbal activity by Rome's rejec- tion of his reality on the word ' traitor ' , and instantly takes on fabulous stature again : Thou injurious tribune ...
Seite 244
... becomes animated with a seem- ingly countless mob of barbarians , armed with staves , mattocks , hatchets , pickaxes , and their wrongs , we become sensible that it is not merely a coward crowd before us , but the onward and increasing ...
... becomes animated with a seem- ingly countless mob of barbarians , armed with staves , mattocks , hatchets , pickaxes , and their wrongs , we become sensible that it is not merely a coward crowd before us , but the onward and increasing ...
Seite 408
... become more fa- miliar with the play , and do useful spade - work , but the value of the outside eye of the director becomes evident . We watch the film of Julius Caesar made in 1953. A lean and hungry Gielgud trips up the steps ( but ...
... become more fa- miliar with the play , and do useful spade - work , but the value of the outside eye of the director becomes evident . We watch the film of Julius Caesar made in 1953. A lean and hungry Gielgud trips up the steps ( but ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's