Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 19
... character of Antony was capital . The illusion was almost perfect ; the actor could scarcely be recognised through the disguise . He played the character also with great spirit ; neither was it lacking in the higher qualifications of ...
... character of Antony was capital . The illusion was almost perfect ; the actor could scarcely be recognised through the disguise . He played the character also with great spirit ; neither was it lacking in the higher qualifications of ...
Seite 211
... character immediately clear , a generalized arrogance which the rest of the play only renders more insufferable . A good deal can be inferred from the way in which interpreters of Coriolanus deliver his favoured expression about the ...
... character immediately clear , a generalized arrogance which the rest of the play only renders more insufferable . A good deal can be inferred from the way in which interpreters of Coriolanus deliver his favoured expression about the ...
Seite 286
... character is simpler , and the situations in which it is presented are readily apprehended and utilized . To go back of Shakespeare , and resort to history - for which proceeding , except with a view to correct personal appearance and ...
... character is simpler , and the situations in which it is presented are readily apprehended and utilized . To go back of Shakespeare , and resort to history - for which proceeding , except with a view to correct personal appearance and ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 081037966X, 9780810379664 |
| Zitat exportieren | BiBTeX EndNote RefMan |