Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 75
... classical Renaissance idea of history being an example : you see the faults and failings of great men and women of ... classical and the Jacobean . ' With armour for instance , the problem has been to find a classical shape that can be ...
... classical Renaissance idea of history being an example : you see the faults and failings of great men and women of ... classical and the Jacobean . ' With armour for instance , the problem has been to find a classical shape that can be ...
Seite 157
... classical subject than the potentially ' troublesome ' Brutus . When a classical authority figure in the mould of Coriolanus - an Orestes , or an Oedipus , or a Creon - strode on stage , audiences sat up and looked for political ...
... classical subject than the potentially ' troublesome ' Brutus . When a classical authority figure in the mould of Coriolanus - an Orestes , or an Oedipus , or a Creon - strode on stage , audiences sat up and looked for political ...
Seite 262
... Classical Coriolanus . " The National Review ( March 1931 ) : 426-30 . Contends that a recognition of Coriolanus's relation to classical rather than romantic tragedy is imperative for the director who stages it and the actor who plays ...
... Classical Coriolanus . " The National Review ( March 1931 ) : 426-30 . Contends that a recognition of Coriolanus's relation to classical rather than romantic tragedy is imperative for the director who stages it and the actor who plays ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's