Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 254
... conspirators should not assume the space taken previously by Sicinius and Brutus , while the Lords ( probably only three ) occupy the area once tenanted by Volumnia , Virgilia , and their party . An audience could scarcely fail to ...
... conspirators should not assume the space taken previously by Sicinius and Brutus , while the Lords ( probably only three ) occupy the area once tenanted by Volumnia , Virgilia , and their party . An audience could scarcely fail to ...
Seite 337
... conspirators . Caesar's impending assassination began to build in the previous scene with Calpurnia , in which Welles developed the sense that the very people Caesar took to be his allies were the ones who were actually trying to kill ...
... conspirators . Caesar's impending assassination began to build in the previous scene with Calpurnia , in which Welles developed the sense that the very people Caesar took to be his allies were the ones who were actually trying to kill ...
Seite 420
... Conspirators and am entirely on the side of Caesar and Antony . Brutus appears to be positively in love with his honour , but , frankly , I cannot see that virtue in his nature . To begin with he allows the bitter and prejudiced Cassius ...
... Conspirators and am entirely on the side of Caesar and Antony . Brutus appears to be positively in love with his honour , but , frankly , I cannot see that virtue in his nature . To begin with he allows the bitter and prejudiced Cassius ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's