Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 66
... death - bed . Finally she enters into the Egyptian tradition ; her own death is not a tragedy but a transfiguration . " Has the role of Antony been similarly misconceived in the past ? " Too often , yes . The basic misunderstanding has ...
... death - bed . Finally she enters into the Egyptian tradition ; her own death is not a tragedy but a transfiguration . " Has the role of Antony been similarly misconceived in the past ? " Too often , yes . The basic misunderstanding has ...
Seite 96
... death scene , and clearly the death scene is the triumph of this Cleopatra . The Athenaeum critic wrote : " Those parts in which dignity and anger were expressedsuch as the interview with the messenger . . . -were given a vehemence and ...
... death scene , and clearly the death scene is the triumph of this Cleopatra . The Athenaeum critic wrote : " Those parts in which dignity and anger were expressedsuch as the interview with the messenger . . . -were given a vehemence and ...
Seite 495
... death . First , in Santa Cruz Elizabeth Atkeson was not a catatonic figure or even a passive bystander in V.ii. Rather , director Mark Rucker brought her on ( quietly , in the background ) not at Titus's re - entrance , as directed in ...
... death . First , in Santa Cruz Elizabeth Atkeson was not a catatonic figure or even a passive bystander in V.ii. Rather , director Mark Rucker brought her on ( quietly , in the background ) not at Titus's re - entrance , as directed in ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's