Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 119
... director's imaginative use of the permanent set to facilitate entrances and exits and thus increase the pace of the action constituted the greatest benefit of the revival . The critic maintains that Edith Evans was miscast as Cleopatra ...
... director's imaginative use of the permanent set to facilitate entrances and exits and thus increase the pace of the action constituted the greatest benefit of the revival . The critic maintains that Edith Evans was miscast as Cleopatra ...
Seite 191
... director notes that he was anxious to avoid one partisan extreme at the expense of the others . Hands also discusses the attempt to discover Coriolanus's essential humanity : with Howard's expert help , he remarks , " we'll find the man ...
... director notes that he was anxious to avoid one partisan extreme at the expense of the others . Hands also discusses the attempt to discover Coriolanus's essential humanity : with Howard's expert help , he remarks , " we'll find the man ...
Seite 486
... director did not appear - like Bogdanov - to be inviting us to see modern parallels to the action , or - like Alexander and Noble - to be probing a subtext for psychological resonances . The text was given , exceptionally , with no cuts ...
... director did not appear - like Bogdanov - to be inviting us to see modern parallels to the action , or - like Alexander and Noble - to be probing a subtext for psychological resonances . The text was given , exceptionally , with no cuts ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's