Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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... Drama Review , v . 12 , Fall , 1967 for an interview with Members of the Berliner Ensemble by Harry Carlson . Copyright © 1967 , The Drama Review . Reprinted by permission of The MIT Press , Cambridge , MA and the author . - Drama ...
... Drama Review , v . 12 , Fall , 1967 for an interview with Members of the Berliner Ensemble by Harry Carlson . Copyright © 1967 , The Drama Review . Reprinted by permission of The MIT Press , Cambridge , MA and the author . - Drama ...
Seite 1
... drama which has been both extolled for its in- novative form and characterized - like King Lear — as un- stageable . The magnificence of Shakespeare's poetry and the fascinating characterization of Cleopatra have en- thralled literary ...
... drama which has been both extolled for its in- novative form and characterized - like King Lear — as un- stageable . The magnificence of Shakespeare's poetry and the fascinating characterization of Cleopatra have en- thralled literary ...
Seite 439
... drama of this culminating scene . Bedford eliminated the restoration of order which comprises the final 130 lines of the play ; instead , his production ended abruptly and omi- nously with a Sybilline voice proclaiming Rome's dark fu ...
... drama of this culminating scene . Bedford eliminated the restoration of order which comprises the final 130 lines of the play ; instead , his production ended abruptly and omi- nously with a Sybilline voice proclaiming Rome's dark fu ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's