Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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... dramatic critic for the New York Times from 1926 to 1960. Upon his retirement from that post , the Mansfield Theatre in New York was renamed the Brooks Atkinson in honor of his contribution to the theater . His publications include ...
... dramatic critic for the New York Times from 1926 to 1960. Upon his retirement from that post , the Mansfield Theatre in New York was renamed the Brooks Atkinson in honor of his contribution to the theater . His publications include ...
Seite 135
... dramatic form . But he did not end the scene of Cæsar's ghost with the till then usual " four , characteristic [ characteristic , indeed ! ] bouncing lines for Brutus , " found in a version of 1719 which was supposed to be by Dryden and ...
... dramatic form . But he did not end the scene of Cæsar's ghost with the till then usual " four , characteristic [ characteristic , indeed ! ] bouncing lines for Brutus , " found in a version of 1719 which was supposed to be by Dryden and ...
Seite 353
... dramatic values of the original . The piti- ful vanity of the unnerved Caesar before he leaves Cal- purnia for the Senate , the understandable tension between Brutus and Cassius in their quarrel before the fatal battle of Philippi , the ...
... dramatic values of the original . The piti- ful vanity of the unnerved Caesar before he leaves Cal- purnia for the Senate , the understandable tension between Brutus and Cassius in their quarrel before the fatal battle of Philippi , the ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's