Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 133
... effect , on the night of his final retirement from the stage , June 23 , 1817. John Taylor , who thoroughly knew his acting , declared it to be " a masterpiece . " " It is impossible to conceive a finer figure for Roman character than ...
... effect , on the night of his final retirement from the stage , June 23 , 1817. John Taylor , who thoroughly knew his acting , declared it to be " a masterpiece . " " It is impossible to conceive a finer figure for Roman character than ...
Seite 343
... effect now and again but , if generally adopted as a manner , the effect is as of singers taking all their climaxes in a rehearsal voice . Anthony Quayle as an energetic Mark Antony often did the same thing and his big scene is surely ...
... effect now and again but , if generally adopted as a manner , the effect is as of singers taking all their climaxes in a rehearsal voice . Anthony Quayle as an energetic Mark Antony often did the same thing and his big scene is surely ...
Seite 419
... effect , which must work no less in the audience than on the crowd , is lost . I consider that the only point the producer has to make is to show how fickle , unreliable and potentially terrifying is this many - headed hydra . My ...
... effect , which must work no less in the audience than on the crowd , is lost . I consider that the only point the producer has to make is to show how fickle , unreliable and potentially terrifying is this many - headed hydra . My ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 081037966X, 9780810379664 |
| Zitat exportieren | BiBTeX EndNote RefMan |