Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 186
... hero's abilities . In other words , it is in the battle scenes that the audience witnesses the formation of Coriolanus , and does not have to accept the unfounded premise that he is a hero merely because heraldic blood flows in his ...
... hero's abilities . In other words , it is in the battle scenes that the audience witnesses the formation of Coriolanus , and does not have to accept the unfounded premise that he is a hero merely because heraldic blood flows in his ...
Seite 218
... hero , but also to Mr. Berkoff ' s spare and highly theatrical staging . Aside from a dozen straight - back chairs that are deployed in seeming emulation of Harold Prince's junta tableaus in " Evita , " Mr. Berkoff and his imaginative ...
... hero , but also to Mr. Berkoff ' s spare and highly theatrical staging . Aside from a dozen straight - back chairs that are deployed in seeming emulation of Harold Prince's junta tableaus in " Evita , " Mr. Berkoff and his imaginative ...
Seite 220
... hero to life . And Coriolanus needs all the help he can get . A sulker , a turncoat , a despiser of the common people , he is one of the most immediately objectionable of Shakespeare's heroes - not least because he is first and last a ...
... hero to life . And Coriolanus needs all the help he can get . A sulker , a turncoat , a despiser of the common people , he is one of the most immediately objectionable of Shakespeare's heroes - not least because he is first and last a ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's