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Seite 63
It failed , firstly , because the battery of lights separated the stage from the auditorium quite as decisively as the ... After the discipline of white light and half - light in the previous two plays , the billowing canopy and ...
It failed , firstly , because the battery of lights separated the stage from the auditorium quite as decisively as the ... After the discipline of white light and half - light in the previous two plays , the billowing canopy and ...
Seite 89
Like Granville - Barker , Bridges - Adams rejected the idea that Antony and Cleopatra made spiritual progress , or that they needed to : What light , then , shines on the dying Antony ? or on Cleopatra enthroned , with every irony of ...
Like Granville - Barker , Bridges - Adams rejected the idea that Antony and Cleopatra made spiritual progress , or that they needed to : What light , then , shines on the dying Antony ? or on Cleopatra enthroned , with every irony of ...
Seite 496
... Oracle that was played over the public address system with the on - stage action frozen , the lights gradually dimming , and Aaron visible in a commanding position above . ... the candles that were the primary source of light .
... Oracle that was played over the public address system with the on - stage action frozen , the lights gradually dimming , and Aaron visible in a commanding position above . ... the candles that were the primary source of light .
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Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 081037966X, 9780810379664 |
| Zitat exportieren | BiBTeX EndNote RefMan |